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This font can actually make Greek and Cyrillic sentences! And since it has letters with diacritics, you can even make German sentences too! The sky is the limit.
This will be my largest font yet. Maybe at the end of 2025, I'll finish the whole font. (Making the font 65536 characters long.)
See some of my good fonts here: Sotorian (Encoded from English), City, and Betamaze!
STF_NEUE ISAIAH - 70's Art Deco / Streamline style typeface
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Most of the design credits for this font should go toIsaiah Garciasince I took the liberty of revisiting her fontstructionFS Idea
Please check out this member's awesome contributions here:Ivy Meadows (Isaiah Garcia)
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[THE PROCESS]
The one major difference between the two works is the grid size and construction method, Isaiah's version was made using a faux-Bézier approach (very labour intensive) and requires a fairly large design grid, whereas my version is a small grid design, utilizing the circle arc bricks and composites to achieve smoother contour quality, and was done on just a 4x7 grid using 2:2 filter.
This different approach and limitations in small grid designs have led to a number of small changes for certain glyphs. Also have I change some details slightly to my personal preference. But it remains very much Isaiah's design.
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[THE FONT]
I tried to remain as faithful to the original font as possible, and in addition tried to further expand the character set. Most important differences made in my revision are the additional lowercase chatacter set (spurred strokes), the uppercase alternative forms / lowercase alternative forms (spurless) and extra symbols.
Enjoy!
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LORD KRUMBLE —A transitional sans that mixed Art-Deco with neo-classical humanist minuscules
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Inspired to celebrate the homecoming of him who strikes fear in all badly baked treats, the one which nightmares are made of, that kind of person that makes every cookie crumble and wanna skip school for a day or two. Of course I'm talking about the one and only "Cookielord".
— "What could'nt be better suiting than to have a freshly crasfted and new font that is celebrating his return."
Him recently dropping a new FontStruction somewhat came as a pretty unexpected but nice surprise. It just so happened to be that I was already looking for new ideas that could lead to the next project. In fact, until recently I was actually still struggling with this, and hadn't really been able to provide a catchy and motivating design theme to bring to the table that would once again help me on my way with starting a new FontStruct project. So I took this occasion to see if I was able to find a little inspiration in his Verminfont. Not particularly aimed at doing a derivative work, nor anything closely resembling his cool font. Instead rather trying to draw some inspiration from that peculiar and playful but friendly characteristic, that to me personally distinguishes his Vermin font the most anyway.
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And so I appoligize for the fact that this doens't truly relates or do justice stylistically in any way to the aesthetic present in Cookielord's original Vermin font. That being said, this is what became the end product of that.
But, it does have one striking resemblance that pays a homage to him, and that is the included cookie. Sorry I took a bite out of it my friend, hope you can still appreciate it.
— Just to let you know that regardless wether you decide to stay or not, your recent return isn't going to be for nothing!!
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No 'Brick Size' filters were used, which of course presented me with a lot of challenges that limited the amount of complexity I was able to put in, something that wouldn't been the case with (2:2) 'Brick Size' filter settings. The other noteworthy aspect to this particular fontstruct is its grid size, which is tiny. Never before have I made a Fontstruction that required kerning values to fluctuate only as little as 0,01. This also made it impossible to implement optical corrections on the vertical axis in the form of overshoots, but luckily this didn't became a very clear issue in the end.
I'm not sure if I can complete the additional Latin accents for all characters due to the limited grid space available surrounding some of glyphs. I might try doing those later.
Let me know what u think of it so far fella's, stay tuned!
Cheers
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NOTE: Click 'TrueType Font' when downloading!
Originally called '10x14 Font', now with Extended Latin and Cryllic character sets.
This is a clone of The Boldest One MonoNOTE: Click 'TrueType Font' when downloading!
Originally called '10x14 Font', now with Extended Latin and Cryllic character sets.
This is a clone of 10x14 Font MonoThe real logo font for FontStruct.
This is a clone of The Actual logo (Better)Unicase font with alternates. Special characters: Blank space at the "\", "LT" pair (kerned) at the "fi" ligature and the "TJ" pair is at the "fl" too. Better to see the font at big size. Enjoy and Happy New Year 2023!
This is a cloneThis font was created from the theme of 'protect'. Originally looking at bone structures i then adapted it to feet as they provide a degree of protection from the things we walk on. They are also what enable us to walk and move giving us balance and support.
- I have yet to complete it -
SANS SERIFSCO — Humanist / Neo-Grotesque Sans-Serif
A contemporary neo-grotesque sans-serif design with regular weight.
I tried to add subtle diverse and nuanced visual elegance while still remaining minimalistic. Most significant feature is the subtle stroke modulations, distinguishing this from a more geometric style.
Designed to be versatile and suitable for a wide range of different purposes and optimized for legibility in small point size body copy.
The font was constructed on a large grid using linear interpolation (also known as faux-Bézier method). This allowed the most freedom for constructing more complex custom forms, curvatures and all the various stroke modulations.
The font has a total vertical height of 88 square grid units, this is including all optical compensations, ascends / descends and accents.