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ETC Vieux Canard is whimsical, geometric sans-serif font based on V. Sarela's "Res Cogitans" and Christian Munk's "Insular Typewriter".
Some letters are oddly kerned, but that is due to FontStruct's +/- 10 unit limit on kerning.
About name: https://en.wikipedia.org/wiki/Belka_and_Strelka. Also Belka means Squirrel in Russian.
See more:
https://fontstruct.com/fontstructions/show/1248281/blackbox-1
https://fontstruct.com/fontstructions/show/479504/pistolera
https://fontsinuse.com/typefaces/41253/strelka-ultra
https://fontstruct.com/fontstructions/show/2138573/destinova
If you want to know, A,B,P,S.... are (head)3:1(body).
MOST OF letters are 12x6 except I,T,Y,f,i,l,m,t,y
I've made the numbers thinner. i d even k y. but they look better like this
What about Long leg font? do you guys want a "Long Leg"?
[slashes](Problem solved)
are \ / % ø recognizable? thanks to Se7enty-Se7en and Cookielord, \/%Ø is now better.
THANK YOU \(◦'⌣'◦)/❤❤❤
[ogonek and stroke] (Problem solved)
ogoneks and strokes are annoying me. btw if you're speaking languages with letters that has ogonek or stroke sticked on. try to write a word with ogonek or stroke and remove the ogonek or stroke. and then recognize them
if you CAN. then why do you even put it on?? ¯\_(૦ઁᗝ૦ઁ)_/¯
coment below plz i need to know. :)
[asterisk]
if you don't like it, clone it you lazybone!
[Tags]
I don't speak english well, so plz tell me what is the tag this font should have. :)
Recap of the lettering seen on a old brochure by Wendingen for the "Internationale Theater Tentoonstelling Amsterdam 1922"
The brochure and letters were designed by:
"Hendricus Theodorus Wijdeveld" (4 october 1885 – 20 februari 1987).
As usual I completed the alphabet, but (since its mainly a display typeface) this time I used the punctuations to store some glyphs meant to be used for drawing ornamental decorations as seen on the original brochure design.
SPARSENESS is a minimalistic type design with a modern appearance.
It's main purpose was the aim to perform well even at a small point-size. Therefore the letterforms carefully keep plenty of open space in order to remain legible even at small point-size.
- For the best fontstruct preview set pixel resolution value to 13.
Enjoy!
"Morgen" (means Morning in German) is a sans serif German font
(could also be used with any language that has basic Latin alphabet, Ä, Ö, Ü, and ß)
{ for fi
} for fl
| for ff
^ for ffl
% for ch
+ for sch
[ for st
# for ſ (long s)
] for ſch
> for ſt
"Morgen" ist eine serifenlose deutsche Schrift
(kann auch mit jeder Sprache verwendet werden, die das lateinische Grundalphabet Ä, Ö, Ü und ß hat)
{ für fi
} für fl
| für ff
^ für ffl
% für ch
+ für sch
[ für st
# für ſ (lange s)
] für ſch
> für ſt
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Fourth recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer".
I hope you like it.
This is a clone of STF_JS-SANS SQUARE (OUTLINE)It's been a while since I last revisited the works of "Jurriaan Schrofer".
So here is another one by the late great Dutch graphical designer.
======================================
Style variation in the SEMIOTICA type family.
A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".
As usual I completed the alphabet plus numerics and added numerous punctuations.
This is a clone of STF_JS-SEMIOTICA (INCISED)BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive.
It's pixel optimized as well and it comes in uppercase and small uppercase characters only!
Style variation for the BOXCUTTER typeface!
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BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive.
It's pixel optimized as well and it comes in uppercase and small uppercase characters only!
This is a clone of STF_BOXCUTTERThe second recap of "Onleesbaar Alfabet"
Which translates to "Unreadable Alphabet",
originally designed by Dutch graphical designer "Jurriaan Schrofer".
This one features outlined glyphs.
This is a clone of STF_JS-ONLEESBAAR ALFABET (STROKE)Another recap from the work of Dutch graphical designer "Jurriaan Schrofer". This one is called "Onleesbaar Alfabet" which translates to "Unreadable Alphabet".
It's the first of three and it features solid glyphs.
This is a clone of STF_JS-ONLEESBAAR ALFABET (OUTLINE)MILITIA - A bold geometric typeface inspired by the military.
It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!
Enjoy!
This is a clone of STF_MILITIA (STENCIL)t.e.r.s. is a font that uses the negative space of horizontally flipped letterforms to hide one's meaning. "Ters" means "reverse" in Turkish. If you need a good typeface to hide your meaning while still looking cool, try out t.e.r.s.! This font was completed in 2 hours for the Fontstruct Reverse Competition!
I am Kimeiga, a game, graphic, and language designer from California. If you want to see more of my work, head to www.kimei.ga !