Fontstructions tagged with “Islamic”
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Zakhrafa
by neasatubridy8.97
Click on the stars to rate this FontStruction.
Balanced Rating: 8.97
Average Rating: 9.80
Click for more information about this rating. 5 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.97
Average Rating: 9.80
Click for more information about this rating. 5 votes You voted ? for this FontStruction. You may change your vote at any time.
500307
Published: 9th November, 2018
Last edited: 6th June, 2026
Created: 8th November, 2018
Last edited: 6th June, 2026
Created: 8th November, 2018
Zakhrafa is a type of Islamic art which consists of embellished geometric designs. It is often used to complement Arabic calligraphy on architecture to bookcovers and various media. The inspiration of this font comes from the various Islamic patterns that can be seen on buildings all across Qatar. After living there for 8 years, I learned a lot about the Islamic culture which is what I want the font to reflect.
This is a clonefs WIP
by thalamic8.61
Click on the stars to rate this FontStruction.
Balanced Rating: 8.61
Average Rating: 8.72
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.61
Average Rating: 8.72
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
94186840
Published: 5th March, 2011
Last edited: 19th March, 2011
Created: 4th March, 2011
Hi, there!
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
Danke, Merci, Thank you, Shukria.
Last edited: 19th March, 2011
Created: 4th March, 2011
Hi, there!
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
Danke, Merci, Thank you, Shukria.
All Rights Reserved. No download available.
fs I-Tilic
by thalamic8.68
Click on the stars to rate this FontStruction.
Balanced Rating: 8.68
Average Rating: 8.80
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.68
Average Rating: 8.80
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
153108650
Published: 1st February, 2010
Last edited: 22nd December, 2010
Created: 31st January, 2010
Inspired by a picture found on this website.
Another diagonal line font so soon after fs Overlap. A mere coincidence. The application of each is very different. Overlap is about negative space while I-Tilic is about patterns and meta shapes. Post samples if you end-up playing with this fontstruction. Have fun.
[ = fi ligature
] = ti ligature
< = background fill (negative)
> = background fill (positive)
` = reverse tile (above base line)
~ = reverse tile (full height)
{ = top border
} = bottom border
| = side border
Last edited: 22nd December, 2010
Created: 31st January, 2010
Inspired by a picture found on this website.
Another diagonal line font so soon after fs Overlap. A mere coincidence. The application of each is very different. Overlap is about negative space while I-Tilic is about patterns and meta shapes. Post samples if you end-up playing with this fontstruction. Have fun.
[ = fi ligature
] = ti ligature
< = background fill (negative)
> = background fill (positive)
` = reverse tile (above base line)
~ = reverse tile (full height)
{ = top border
} = bottom border
| = side border
- V10 (66)
- Tiles (33)
- Islamic (3)
- Architecture (51)
- Geometric (948)
- Uppercase (350)
- Lowercase (249)
- Numerals (84)
- Fs Itilic (1)
All Rights Reserved. No download available.