Kulibin or Kulidyaka? Kulich?
See more: https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov
https://fontstruct.com/fontstructions/show/152204/unispace
https://fontstruct.com/fontstructions/show/942604/lexiconius
Eda (by Alexander Tarbeev)
http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/
http://www.myfonts.com/fonts/shinn/scotch-modern/
http://www.myfonts.com/fonts/artlebedev/mirta/
Kostro, 21 Cent (https://yurigordon.com/ru/shop/fonts)
Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)
Marian family(19c), Caponi (https://commercialtype.com/)
https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F
http://www.myfonts.com/fonts/itc/caslon-no-224/
https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm
http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/
http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html
https://www.colophon-foundry.org/typefaces/peggs/
Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.
- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;
- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;
- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;
- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.
Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!
An attempt to make a very readable sans similar to what you would see on streetsigns, utilizing larger curves than the average FontStruction. Uses 3x3 curves on the uppercase and 2.5x2.5 on the lowercase/numbers. A few alternates in Latin Extended-A. As always, suggestions and critiques are welcome. Thanks and enjoy!
Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.
Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.
Inspired heavily by dm Solidus (and several other fonts by demonics), and also by Modular Blackout Bold Condensed (now private, but you can see a sample here). More/less rounded alternates can be found in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!
(2017: This was another one that barely needed to be touched--the only edit I made was thinning the outer ring of the @ symbol from a full brick to half a brick wide. I'm getting toward the end of my collection of private but completely finished fonts though...)
Create your own license plate! Surround your text with () or []. Use '_' to get a truly blank space; use '|' for an uppercase middle dot, '\' for lowercase. Some alternates are available in Latin Extended A. Suggestions and critiques welcome. Thanks and enjoy!
(2017: I think this idea was sort of a spin-off of fs quotable. I was also experimenting with clean sans like this one at the time, which contributed greatly toward the design of the inner font. The () characters are new and a few letters (regular g, alternate g and Q) have been updated, but other than that everything's pretty much the same as 3 years ago.)
Here's what happens after I temporarily lose the ability to Fontstruct... ;) This started as an experiment to get around overshoots, but took of in a slightly different direction, with a touch of Uptake. Suggestions are appreciated. Thanks!
(2017: Isn't it wonderful when you don't touch a fontstruction for 3 years and still don't see anything to improve? I don't remember why I lost the ability to use FontStruct—probably because of either a power outage or being in a moving vehicle—but I would guess I sketched this out in my graph notebook before getting back on the site.)
The long-awaited uneaten variant of fs cookie, fresh out of the oven. Many characters could likely be improved, especially with modern FS features such as nudging, but I'd rather not change anything from the original (for this version, anyway). Feel free to clone and edit as you please.
This is a clone of fs cookie cleanOne more pixel font.
See more:
https://fontstruct.com/fontstructions/show/426077/jungen_werther
https://www.myfonts.com/fonts/2d-typo/digital-stitch/
https://fontstruct.com/fontstructions/show/1214404/ugly-sweater
https://fontstruct.com/fontstructions/show/235495/peteroque_1
https://fontstruct.com/fontstructions/show/79317/country_1
https://fontstruct.com/fontstructions/show/576589/s ajou_ii
https://fontstruct.com/fontstructions/show/426077/jungen_werther
https://www.myfonts.com/fonts/gallofonts/cross-stitch/
https://www.volcano-type.de/fonts/categories/display/stich_me
Last entry for the Reversecomp. Based on the theme of yin yang, opposites, black vs white, reversed colors etc. Was in a hurry so couldn't quite make UC, cause there were so many various variants of this but the result is similar to the font I saw on Behance.
The normal version.
This is a clone of AT Imagiro ReversedThe reversed version of AT Imagiro for the Reversecomp (2nd entry).
This should be printed on paper and cut according to symmetry axis to achieve the result as in the samples.