This font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.

Unicase font with alternates. I've tried making each letter in a word touch the ones next to it, kind of like a script font. By-product of the recent HeavyComp.

See 

Tennessine: superheavy element of the periodic table named after the US state Tennessee. Symbol: Ts, atomic number: 117, atomic weight: 294. It is a radioactive element artificially produced by fusing berkelium and calcium atoms.

The thing about a square of the things that are about a square is that they don't tile as well as squares do. 

I found a few fonts and alphabet images based on the idea of overlapping geometric shapes, all with different approaches.

Decoreus. I love this one, which usually means nobody is going to like it. Thanks beate for coming up with the 20's theme for the TwentiesComp. I don't think I would have come up with this otherwise. 

In the footsteps of Paul Renner (Futura, 1927)...

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.

When Bauhaus met Art Deco

Black space tipping "\".

my entry into countercomp

a font for when you want to be brutally serious and to the point

The counters in breach overlap the outlines of their glyphs and extend beyond them. x-height: 3 bricks

Inline part of KD Hachure for layering.

Outline part of KD Hachure for layering.

Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation: 

1) Every letter is filled with thinner version of itself (self-pattern fill).

2) Outline vs Inline, emphasizing the "opposite" meaning of counter.

G1 Radia. A scaled down version of an originally larger fontstruction. Lots of details with smooth micro bullnose serifs, high contrast stroke lines, and decorative ball terminals.

elza: serif meets ball terminal... I found out the Germans actually have a word for this: 'Tropfenserife', which roughly translates as 'teardrop-serif'. Normally appearing at the end of strokes in letters such as a,c,f,g,j and r, I have tried to build this font around it, using it as its main design feature.

Work in progress (kerning and more glyphs to come).