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The extra-bold/black weight of Ari-W9500.
This is a clone of Ari-W9500 Bolda square typeface intened to be used for single words, small phrases or for brand names and logos. However i feel it does have a nice textural look when used for large bodies of text. My first published type of Fontstruct. Any feedback would be very much appreciated.
This is what an edited 35A-digit 5x7 matrix display looks like.
It is what's known as a LED/LCD display.
This is a clone of 35-Digit 5x7 Matrix DisplayThis is what an edited 35-digit 5x7 matrix display looks like.
It is what's known as a LED/LCD display.
This is a clone of 31-Digit 5x7 Matrix DisplayThis is what an edited 31-digit 5x7 matrix display looks like.
This is a clone of 24-Digit 5x7 Matrix DisplayThis is what an edited 24-digit 5x7 matrix display looks like.
This is a clone of 13-Digit 5x7 Matrix DisplayThis is what an edited 13-digit 5x7 matrix display looks like.
This is a clone of 9-Digit 5x7 Matrix DisplayThis is what an edited 9-digit 5x7 matrix display looks like.
This is a clone of 7-Digit 5x7 Matrix DisplayRogue is a semi-upright slab-serif font. My first ever project to use ×2 Brick size filter.
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This originally started out as an attempt to recreate Anonoma Less Characters. But then, things took a turn and Rogue was born.
The reason I made the font "Semi-upright" was because bold upright serifs (at least to me) tend to look cool and stylish. Though, I still wanted to keep the sense of roman serif in the font. So the a, g and u are roman. The style of v, w, x, y, z in most italic serifs look too obscure and grotesque for my design, so those are all roman with y being the only exception. Basically, a mix between upright and roman.
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I have plans to expand the project into supporting Greek and Cyrillic as well as provide alternative glyphs for the font.
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Of course, the font has imperfections here and there. Comments for improvements or feedbacks are all welcome.
That's all I had to say.
This is a cloneThe bold weight of Ari-W9500 Condensed.
This is a clone of Ari-W9500 BoldThe condensed style of Ari-W9500.
This is a clone of Ari-W9500The bold weight of Ari-W9500.
This is a clone of Ari-W9500a cyberpunk font with sharp corners. inspired from a variety of sources but mostly the vectorheart aesthetic (which the "vect" part of the name refers to) from the 2000s. the "ix" part refers to the 9-block height of the capital letters and numbers. you may use this font for anything as long as you credit me. vectix is the future, now is the time to embrace it.
Presenting... Ari-W9500 - a complete pixel font family with multiple weights & styles.
This is basically pixelated Arial. Nothing interesting, really. The font is heavily inspired by the pixelated font used in Microsoft's Windows 95. The project was originally meant to be an improved and revamped version of the popular W95FA pixel font.
With more than 1600 glyphs, the font can support a wide range of languages (primarily supports Latin, Greek and Cyrillic).
The alternative glyphs of all the font styles included in the family are stored in the "Braille Patterns" Unicode block.
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Extra context:
For those who are wondering, Ari-W9500 began under construction BEFORE Roguewas even planned. After done publishing Rogue, I just wanted to finish this project up and move on.
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The entirety of the Ari-W9500 font family (6 styles):
• Ari-W9500 Display (Extra-bold)
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Future plans:
Looking forward to adding Hebrew support soon.
Due to technical difficulties, I WILL NOT be making italic versions for the styles.
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If you see any glyphs in the font that's incorrectly designed, please tell me by commenting.
Feel free to clone the project and add additional language support (e.g.: CJK, Thai, Arabic, Devanagari) as you wish.
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Thanks for enjoying this moment with me.
DAN NIET — Futuristic rounded sans
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This is a recreation of Svetoslav Simov's Dan typeface that was published by Fontfabric back in 2010.
A while ago I came across some image that used this cool futuristic geometric sans. And without first doing proper research I started to FontStruct the lettering seen in the image. Once those were completed I didn't really had a good vision on where to lead the rest of the letter inventions, so I went looking online to find something similar that perhaps could get me inspired to complete it after all.
Scouring the web for a while I stumbled upon some sample images for a typeface called DAN by Svetoslav Simov. And it was unmistakably the font seen in the initial image that I used for the first couple of letters.
Now, I could've abandoned the project at this stage and take my loss, but I felt that the work that already had been done up to this point would be a sad waste of something that was actually kind of fun to make. So for this reason I decided to go ahead and continue the project, and instead this time the focus shifted towards recreating the original DAN typeface.
I included a number of small changed to certain letterforms to suite my personal preference better, but it very much remains Svetoslav's work.
Because the original DAN typeface is a commercial product this recreation won't be made available for downloading. It was strictly made for the fun of it, with no intent to redistribute. It was published solely as a showcase of the FontStruct editor's capabilities.
I dubbed the project DAN NIET which is Dutch forTHEN DON'T.
This sort of as a wordplay to the original's name and it's off-limit legally restricted status, hence the inclusion ofDON'T.
— It still remains a WIP..
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DISCLAIMER:I hereby state that I do not own the rights to this, and all rights belong to it's original owner. Credits for the original lettering concept go to the creator. No Copyright Infringement Intended.
Cheers
STEAMLINER — 1920s Art-Deco style
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[ INTRODUCTION ]
Steamliner is a simple looking linear All-Caps display font with elegant geometric letters. It comes from a mix of Art-Deco retro style with a distinct irregular curved asymmetry, Essentially blending Art-Deco with Art Nouveau into a more simplified clean & solid lettering style.
The character set mixes various glyph alternative forms for the capital letters together to provoke a slight feel of randomness.
— The font Em-square is only 1.5 × 1.5 bricks
Cheers