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Bold-ganic is a bold, semi-dense, and playful typeface that incorporate organic and life within the design. Some characters are adorned with elements of leaves or sprouts, giving the typeface a unique, nature-inspired aesthetic.
Abakada Tekno, is a standardized baybayin. It is an Abugida or Alphasyllabary. The additional letters of C, F, J, Ñ, Q, R, V, X, and Z and additional vowels of O, and U to become modern baybayin
TIPS:
• The single latin letter B on your keyboard will become 'Ba' (ᜊ)
• If you want make a 'Be' and 'Bi', tap and hold the 'E' key, then press 'Ē' will appear a dash line on top with a character. For 'I' key, press and hold, then type 'Ï' key will make a dot on top with a character.
• If you want to make an 'Bo' and 'Bu' same thing with I and E key, tap and hold 'O' then press 'Ö' will appear a dot at the bottom with a character, for 'U' press and hold, then select 'Ū' will appear a dash line at the bottom with a character.
• If you want to make a single sound letter, hold 'S' key and you will see a german alphabet (ß) press it then you will see a plus or cross sign (+) and it will become a 'B' sound (ᜊ᜔)
• For, 'Ñ' tap and hold the 'N' key, then for 'Ng' tap and hold C and then press 'Ç' key and it will a character (ᜅ)
The bold weight of Ari-W9500 Condensed.
This is a clone of Ari-W9500 BoldThe bold weight of Ari-W9500.
This is a clone of Ari-W9500Made for specific purpose, derived from previous rotated version.
Some small geometry compromises included.
Further improvements and extensions may occur, but are not guaranteed.
This is a clone of Verticaliothis is my first published font since I joined. So, I am not a professional font designer. I just made this font for fun. So if you have any problems please feel free to share them in the comments.
Yours sincerely,
Thank you.
Rogue is a semi-upright slab-serif font. My first ever project to use ×2 Brick size filter.
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This originally started out as an attempt to recreate Anonoma Less Characters. But then, things took a turn and Rogue was born.
The reason I made the font "Semi-upright" was because bold upright serifs (at least to me) tend to look cool and stylish. Though, I still wanted to keep the sense of roman serif in the font. So the a, g and u are roman. The style of v, w, x, y, z in most italic serifs look too obscure and grotesque for my design, so those are all roman with y being the only exception. Basically, a mix between upright and roman.
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I have plans to expand the project into supporting Greek and Cyrillic as well as provide alternative glyphs for the font.
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Of course, the font has imperfections here and there. Comments for improvements or feedbacks are all welcome.
That's all I had to say.
This is a cloneSee more:
https://velvetyne.fr/fonts/tiny/
https://fontstruct.com/fontstructions/show/2133172/penoplast-1
https://fontstruct.com/fontstructions/show/1680452/lcd-dot-c
https://fontstruct.com/fontstructions/show/1967683/brut-rings-1
https://fontstruct.com/fontstructions/show/1701780/minimallow-1
This is a clone of Nothing FontNOTE: This project was previously privated and has already been done/left unfinished a long time ago.
I'm only making this project public and open-source it to clean out my dumpster of (complete, incomplete and discontinued) privated fonts.
(Side note: It's so nostalgic looking back at this project that I started more than a year ago. Gosh, reminds me of how bad I used to draw bold pixel fonts like this one. Please don't actually use this though, I swear it looks so bad when you try the font out.)
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A bold matrix font, inspired by Helvetica and MS Sans Serif. Also can be known as my Pixel-Optimzed version of Helvetica Bold.
This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats. To further this idea of a 'time gone by', I created this font in the set to look like ink stamped letters.
This is a clone of 1st Draft of Analogue FizzThis typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I also designed these letters to look like bubbles on the surface of water, hence the name 'Analogue Fizz'. I focused on the old method of transport in Bristol: boats.
This is a clone of Analogue Fizz Stamped