STF_WALDBAUER — Condensed modernist Bauhaus sans
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This is rather a heavily condensed sans that sits halfway between a Bauhaus and Art-Deco style lettering.

The low waist, tall x-height, long ascenders and deep descenders give this font a somewhat elegant appeal. The uppercase set is clearly Art-Deco inspired, whereas the lowercase set leans more towards a playful Bauhaus mondernist style. Several characters have filled enclosed parts or other exaggerated features as well as non-filled alternate forms.

The idea for this font was inspired and extracted from a 1930s poster ad by Pál Vince for luxury luggage company Waldbauer.

The FontStruction's x-height is 3,5×1 grid units, so its tiny!

I hope you like it,

Cheers

a sneaky little deco font with numbers hidden throughout~

(almost forgot to publish)

ARS NOUVEAUX - Art Nouveau inspired display typeface
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A personal digital reimagination of the lettering style by "Charles Rennie Mackintosh" (1868-1928), a pioneer of the "Glasgow School of Art" and so called "Arts & Crafts" movement.
His distinctive style of lettering has been seen many revisions, revivals, reimaginations and inspired designs alike over the years, and has evolved into a broad collection of available fonts.
This basic stylistic lettering concept from Mackintosh sort-of losely funcioned as the structural guiding principle for the creation of "Ars-Nouveaux".  
This FontStruction is an experimentation into creating similar flavored, but still unique letterforms within that same design framework.
 
First I started to layout the overall basic asymmetrical core geometry from a set of custom rectangles, half arc's and slants for each of the letters bare skeleton shape. Once I completed the full set of 36 glyphs [a/z, 0/9] These basic shaped were then further modified into more sophisticated finalized letterforms.

Caps-only, but with many alternates, accompanied by a set of ornate initials.

Hope you like it,

Cheers

~ my submission for the "heavy competition" ~

inspired by a 1950s pickup truck ...

alternative letterforms at the end ...

Another handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.

Decoreus. I love this one, which usually means nobody is going to like it. Thanks beate for coming up with the 20's theme for the TwentiesComp. I don't think I would have come up with this otherwise. 

Twenty unique glyphs

Twenty by twenty grid

A simple Dinosaur "8bit style" made for an university project.

Each letter corrispond to a dinousaur species:

A: Archelon

B: Barapasaurus

C: Centrosaurus

D: Driosauro

E: Edmontosaurus

F: Futabasaurus

G: Gigantosauro

H: Hadrosaurus

I: Iguanodon

J: Jainosaurus

K: Kulceratopos

L: Liaoningosaurus

M: Massospondylus

N: Nasshoibitosaurus

O: Ouranosauro

P: Pterodactylus

Q: Quaesitosaurus

R: Romaleosauro

S: Sordes

T: Google Trex (a little easter egg)

U: Utahraptor

V: Velociraptor

W: Walgettosuchus

X: Xiaosaurus

Y: Yaverlandia

Z: Zuniceratopos

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A few site that I used for searching name of dinosaur for each letter:

http://www.enciclopedino.it/Din.asp

https://paleofox.com/forum/index.php?/forum/37-sistematica-dinosauri/

Happy 2018

Gloria is inspired by 1930's architecture. The theme for this idea is ‘destructive'. I looked at the exterior of buildings and the disappearance and destruction of 1930's architecture and the art deco era and style. The font is a combinination of curves and straight edges which expresses the style of architecture from that time. The detail on the letters will look better at a larger scale so it would be best for display. Anyone wanting to convey a period time or the art deco movement this is the font for you.

I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.

reflect the shapes in the lines of symmetry to create the reverse shapes and complete the glyphs. lowercase contatins reflected versions