964266
Published: 15th May, 2008
Last edited: 25th August, 2008
Created: 15th May, 2008
Geometric Sans Serif; Designed to be used as a pixel font; Design includes subpixel shading to add subtlety to harsh squared corners when viewed at 12pt. Uppercase and punctuation to come...
750262
Published: 7th July, 2008
Last edited: 16th June, 2009
Created: 7th July, 2008
Clone of Velvetica Screen.
There was a dot on the z... It should work now (otherwise it's the same font)
I'll be adding the rest of the letters, someday.This is a clone of Velvetica Screen
4132627355
Published: 18th February, 2010
Last edited: 25th June, 2019
Created: 24th January, 2010
something i've been working on recently. i'm still looking for a solution to virtually increase my screen resolution, so i would have more grid space. i don't know if the line strength is consistent and i propably won't start with the capital letters until then. anyway i thought i might as well throw this in to see what you guys think about it so far.
76122731
Published: 13th May, 2010
Last edited: 13th May, 2010
Created: 12th May, 2010
trying to break the grid once more... composite is a great feature... still running into a lot of problems though. in had a great start with this one. i think the squeezed curves create great shapes but i don't know if it's worth creating upper case letters for. this is more like an extended experiment.
unfortunately spacing is aweful once again...
8843012
Published: 6th December, 2009
Last edited: 5th December, 2009
Created: 5th December, 2009
it's been a long time since i released a fontstruction. today i felt like doing one again. it features smooth transitions from diagonals to roundings, notable on the S and Z.
8222531305
Published: 18th December, 2010
Last edited: 2nd August, 2011
Created: 10th December, 2010
An improvement of the former (Headless/Tangle, now called Tangled Hairline); This version is bolder and simpler with more striking 'chaos motion' lines. This version is perhaps more decorative looking than the original and definitely more ordered in the sense of the letterforms to enable usability.This is a clone
72234530
Published: 11th October, 2010
Last edited: 2nd February, 2011
Created: 11th October, 2010
A glyph made with glyphs, I dreamed this image and I could not take it off of my mind untill I've crafted this that you see. It's a little joke about the matrix of our creations... and now it lives in FS.
271374771
Published: 1st September, 2009
Last edited: 3rd September, 2009
Created: 30th August, 2009
Very loosely based on the work of Piet Mondrian.
The alternative S (igorrossi's) is on the l/c sThis is a clone
9311538
Published: 23rd July, 2009
Last edited: 23rd July, 2009
Created: 23rd July, 2009
My take on the dot fontstruct craze. Based on my own handwriting. Upper case is chrome, lowercase is solid.
11635314
Published: 28th September, 2009
Last edited: 21st September, 2010
Created: 27th September, 2009
Take a walk on the wild side. Now with punctuation.
19515319
Published: 3rd May, 2024
Last edited: 19th June, 2009
Created: 23rd November, 2008
Clone of xtrude by garphynk. Features shorter shadows, some modified letters (especially the N, Q, and y), and a period. Enjoy!This is a clone of xtrude
5085712
Published: 6th May, 2010
Last edited: 12th May, 2010
Created: 11th July, 2009
This has been in the making for quite some time and I was only able to work on it because of the new fontstruct features. all bricks i used for this fontstructions were half-sized bricks. i mean half-circles, half-sized blocks and so on. also i worked with 1.75 scaling. thanks to this kind of setup i was able to create roundings, that go a little over or below flat-shaped letters. see the sample. also lower case letter like l, k, h and so on are a little taller than upper case letters, like in "real" fonts.
the disadvantage is seen on M,W,m,w where the stem in the middle is a little too short... i had to use a very weird workaround for these 3-stem letters, so this is as good as it gets, unless fontstruct is going to have an empty space brick, that would allow me to create a fitting composite. i used lots of composites and lots of stacking. also the spacing isn't very nice, i'll see if i can do anything about that.
74136114
Published: 3rd October, 2009
Last edited: 4th October, 2009
Created: 1st October, 2009
My name is Geostruct Grotesque and I'm a typeface. I love grotesque and gothic type fonts, particularly with vertical exaggeration; so I set out with this in mind and here's the result. Love Trade Gothic & Univers Condensed.
http://type60.com/2009/10/geostruct-grotesque-a-typeface/This is a clone
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
5941163139
Published: 28th March, 2011
Last edited: 12th June, 2011
Created: 27th March, 2011
Another 'cut-out pattern font' not completely happy with it yet though
10331364189
Published: 9th June, 2010
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.This is a clone of Spacerock Biline
700641
Published: 20th April, 2008
Last edited: 16th June, 2009
Created: 20th April, 2008
tall x-height, tried smth like a 'drawn' type, just the lower-case for now
please do comment.