A font in which Japanese or half-width alphanumeric characters are written in 15 × 15 pixels.
15×15のピクセルで文字を書いたフォントです。
Postscript: The version made with fontforge has been released.
You can use more kanji here, and you can also write vertically.
追記:fontforgeで製作したバージョンを公開しました。
こちらでは漢字をより多く使えますし、縦書きもできます。
https://mikannnoki-font.booth.pm/items/1488587
11/16/2018 - Coming soon, KANJI!
Lost in Japan is a font with that curious type of feel. The name makes sense when I spell it out below.
LOST - Very confusing, yet cool.
IN - Really?
JAPAN - Cointains all Hiragana/Katakana characters.
Currently Supports:
- English
- Some Latin
- Russian Cyrillic
- Google Fonts
- Georgian
- Hebrew
- Armenian
- Greek
- Thai
- Currency Symbols
- Arabic (WIP)
- Japanese/Katakana
- Bopomofo
anything goes in this book-style pixel font. it is for secret project.
maximum of 11 pixels tall (plus 3 px descender below)
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[1.7d] Still working on CJK and Hangul. Still not even halfway there!!!
[beta 1.7c] More CJK, Aboriginal Canadian Syllabics, Bengali
[beta 1.7b] More CJK but still not nearly enough
[beta 1.7a] I found a stray pixel which stretched the font two pixels too high. It's gone now.
[beta 1.7] ??? stuff? korean jamo, like 0.3% more of the CJK, Greek Extended, and one of the East Asian scripts (the name I forgot :<)
[beta 1.6d] assorted CJK and symbols
[beta 1.6c] devanagari (hindi script), thai
[beta 1.6b] thai and other junks. some characters improved
A 6×8 character LCD font that supports Halfwidth Katakana, a handful of Kanji, Cyrillic, Greek, accented Latin characters, and many special symbols.
6×8画素LCDディスプレイの文字ROMをイメージしたフォント。半角カタカナ、一握りの漢字(千万円日月火水木金土年)、英数字、ギリシャ文字、キリル文字、発音記号、その他記号がたくさん収録されています。
SPLC792Aに収録されている文字ほとんどに対応しています。https://aitendo3.sakura.ne.jp/aitendo_data/product_img/lcd/fstn/16X2-SPLC792-I2C/SPLC792A_V03_HAOTIAN.pdf 25P参照
This font is based on the construction of origami. When creating any kind of origami a system must be followed in order for it to be successful, so I realise this linked in well. With all variations of my systematic designs the main idea behind them was the combination of basic shapes. With this font I mainly used squares and triangles, creating something complex by using a rule and a combination of geometric shapes.