a(b)cd / e(f)gh / i(j)kl / m(n)op / q(r)st / u(v)wx

sample pic = bbbbb bbbbb bbbbb bbbbb bbbbb

2004 Jan 04

a(b)cd / e(f)gh / i(j)kl / m(n)op / q(r)st / u(v)wx

2003 Aug 14

a(b)cd / e(f)gh / i(j)kl / m(n)op / q(r)st / u(v)wx

sample pic = bbbbb bbbbb bbbbb bbbbb bbbbb

2003 Aug 14

Non-unicode Devanagari clip font. It uses the same layout as KF Kiran fons. bha dha tha may look prettier if you use danda instead of a. The design of the letterforms were inspired by Ranjana script. 

Another "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FSr escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.

@Dear and appreciated minimum: It has been an honour for me to have received from you the possibility of rebuilding my own version of your excellent font "tm Patchpanel", as a result of your very generous offer in FS of the pieces that it was made. I feel enormously lucky and grateful for that. It was also really very interesting for me to be able to go (in a certain way) into the depths of the ins and outs to build glyphs of a great master. With all this, I have dared to propose my humble version of this great font, which is this one that I am now making public. With all this, I have tried to make the grid more obvious, showing the shape of the letters inside. I've also tried not to repeat any of the glyphs of the original font, and I confess also my inability to get a good enough H. The final result appears to lack the freshness of your original font, but offers (to my mind, I hope also to you) some other qualities. I wish I hadn't demeaned the original too much and not made it too ugly. Thanks a million.

Mipo was the precursor for what evolved into the later MX Wasgard typeface that was released back in November 2016. That's why the S and Z looks the same is Wasgard's. It evokes visuals of mosaic designs found on window panes, or that's how I feel.

Never Finished, Never Will is a release of my previous FontStruct works that never came to be completed, and neither will it ever be. The intention of this is to share them with everyone to take, play with it and modify it however they want! 

Hopefully these half-completed works can inspire you guys to do something refreshing with it, or perhaps you'd like to finish it for me (many thanks in advance! ❤️). All these fonts will be under the Open Font License, and will be progressively rolled out from me. They will be tagged under never finished never will and nfnw for easier recognition.

Happy editing! 

Fingernail was an attempt to create a reverse-contrast typeface in FontStruct. It's in recognition of the fun typefaces of this genre that type foundries have been releasing in recent years, such as Boogie School Sans, Ribes Black, and Opposit.

First try.

This design was created as part of the TwentiesComp. Too bad, due to lack of time, it was not finished.  I realize db Pontus still needs a bit of time and patience to be ready (glyphs, kernig etc...) However, I just want to introduce db Pontus in this context already ; ) 

Decoreus. I love this one, which usually means nobody is going to like it. Thanks beate for coming up with the 20's theme for the TwentiesComp. I don't think I would have come up with this otherwise. 

Twenty unique glyphs

Twenty by twenty grid

In the footsteps of Paul Renner (Futura, 1927)...

TwentiesComp entry, inspired by art deco architecture. Not sure about the V, left some variations there for comparison. Also the uppercase/lowercase grave and acute are different, would like to hear which you prefer.

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.

a twenties-era art deco typewriter font with a glyph count in the twenties for the twenties competition

Decorative experimental letters drawn around XX pattern.

Happy 13th BD, FontStruct! WIP (kerning).

When Bauhaus met Art Deco

An inspired font in it's ugly adolescence hoping to be so much more.

When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.