5941163139
Published: 28th March, 2011
Last edited: 12th June, 2011
Created: 27th March, 2011
Another 'cut-out pattern font' not completely happy with it yet though
1161610445
Published: 19th June, 2011
Last edited: 19th June, 2011
Created: 7th June, 2011
Inspired by the pattern of an embossing roller at work, DIAMOND PLATE evokes an image that is both rough AND tough. Designed for use in any industrial or construction setting, or anywhere safety deck plating is a must! Lower case characters are in the cloned version "Diamond Plate LC".
199128457
Published: 13th September, 2011
Last edited: 6th February, 2012
Created: 12th September, 2011
I think I've completed the glyph. But maybe I will add some glyphs like More Latin, Greek, Cyrillic, etc.
93117735
Published: 6th March, 2012
Last edited: 16th March, 2012
Created: 5th March, 2012
Inspired with neurone's font "AFT64 The Orgians" although it doesn't have any identical shapes or styles...
This is still incomplete. I'm going to finish it soon...
191235759
Published: 28th October, 2012
Last edited: 11th November, 2012
Created: 15th October, 2012
This typeface is based on the theme of "Vibration". From the beginning I wanted to create a unique design, looking at sound I decided to use my voice as the starting point. After recording myself pronouncing the alphabet and uploading it to a sound editor I looked at the different shapes and patterns it created. This was my voice that was unique to me and was the inspiration for the typeface. I then researched fonts and looked at bold, chunky designs which could hold the pattern without taking too much away from the letter form as it was important to me that my design was still legible. I decided to use the corresponding sound with the letter (i.e. the A has my pronunciation of the letter running through it)making it different from anything I have seen before. Please comment and share your opinions. Thank You
54199113
Published: 26th January, 2013
Last edited: 23rd June, 2022
Created: 18th September, 2012
This font is just an experiment, with lines and shadows making movements and ocular textures...
(In progress.)
5749811
Published: 7th June, 2013
Last edited: 10th June, 2013
Created: 7th June, 2013
this typeface is adapted from one of the culture in Indonesia (PAPUA), especially the shield. papua is a wonderful place it's still close to nature, that's why I'm choosing it as my inspiration of this typeface.
82137317
Published: 6th October, 2013
Last edited: 13th October, 2013
Created: 5th October, 2013
As usual, this is not what I set out to do. But it had merit of its own, so, as usual, what the heck principle was internally said and employed.
Uses only the square brick.
With only 45° cuts, this fs was not as clear-cut as evident. Much -fun- pains were staked to get things to line-up and combine and gel and connect and whatnot.
There are two types of connectors: internal and external. These can be used to connect letters together at the second rhombus level for external connectors and third rhombus level for internal connectors. Furthermore, each connector comes in horizontal and vertical variants. All connectors have a zero width, meaning typing any does not advance the character. This allows for connectors to be placed betwixt letters without manual adjustment. Further-furthermore, the horizontal and vertical connectors can be stacked one-on-top-of-another for a heavier connector action. Further-further-furthermore, there are larger connectors available for tricky letters with extra gaps, such as the T. Each of the larger connectors have the same properties as the smaller connectors. Further-further-further-furthermore, the larger connectors have 1×2 and 2×2 options. There's a little bit of system to this madness. Once you start typing, it starts to become second-nature quite quickly.
{ = Small Horizontal External Connector
[ = Small Vertical External Connector
} = Small Horizontal Internal Connector
] = Small Vertical Internal Connector
* = Large 2×2 Horizontal External Connector Left
( = Large 2×2 Vertical External Connector Left
) = Large 2×2 Vertical External Connector Right
_ = Large 2×2 Horizontal External Connector Right
~ = Large 1×2 Horizontal External Connector Left
` = Large 1×2 Vertical External Connector Left
< = Large 1×2 Horizontal External Connector Right
> = Large 1×2 Vertical External Connector Right
Then there are the heavier grills that come in 1, 2, 3 or 4 column varieties. All grills are negative widths, meaning typing any stacks the grill over the previous letters, without advancing the character forward. Furthermore, a four column half grill is available which makes a faux 3D effect.
84128620
Published: 20th January, 2014
Last edited: 21st January, 2014
Created: 19th January, 2014
2nd inline font competition entry. Be careful, this might damage your eyes :) Thanks and enjoy!
255176442
Published: 4th February, 2014
Last edited: 3rd February, 2014
Created: 17th January, 2014
Only lowercase and minimal punctuation for now...not enough time for a complete set.
The lowercase characters can be layered on the uppercase to get different colored outlines and slashes.
The uppercase contains the characters as the outlines and the internal slashes. The lowercase contains the characters as just the outlines.
The punctuation has the outline only version on the it's key and the slashed version on the SHIFT + key. For example, 2 contains the outline version of @ and SHIFT + 2 contains the slashed version of the @.
225126332
Published: 6th February, 2014
Last edited: 7th February, 2014
Created: 8th April, 2013
This one is a little older. It became interesting again for the inline competition, even if its not a "real" inliner
314129818
Published: 23rd April, 2014
Last edited: 2nd November, 2014
Created: 10th October, 2013
Canos is a font designed with circles and ellipses, resulting in a relief illusion. Just like some of the nice crazy fonts of the 70's.