This is a rendition of one of A. V. Hershey's dot fonts from his 1967 paper "Calligraphy for Computers", the "Cartographic" (sans-serif) font, plus a number of glyphs imported from the "Mathematical" font, as well as many additional glyphs drawn in the same/similar style to the original glyphs.
"thank god theres a copy and paste function"
i thought an isometrical font would be nice so i made one
wow i like 3d fonts huh
Clone of Lead Balloon (by me).
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License. You are entitled to use this font however you want, but please credit me for my original work somewhere (website, blog or social media, preferably with a link back to one of my sites), and credit attribution IS greatly appreciated.
This is sort of a functional font version of the Led Zeppelin font logo (in TTF). The _ low line is actually an end cap for the L, Z & lowercase letter underlines.
Categories: Famous, Faux Curves, Logo Inspired, & Novelty
Web font: Yes, sure.
Commercial use: Any use, yes, please credit me somewhere? Thanks!
Derivatives: OK (please use a different reserved font name).
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PayPal donations (to encourage my continued freeware font design efforts):
A decorative insular display font.
This is still a work in progress. I'm pushing the new bricks, stacking and nudging to the limit to create some nice flowing shapes. This is also a great opportunity to get working with some good kerning. Once I have the basic character set, this is going to be submitted to Google Fonts for approval.
I tried to make a font that mimics the minimalist design patterns of the late-90s and early-00s, as well as earlier grid-based works like those of Wim Crouwel. This is the fruit of that labour.
Clone of Origami Typo with dual color paper(White + Font Color) Inpired in Nick Robson font in his site. If you want a special character, tell me!This is a clone of Origami Typo
A serif font with a couple of nice little touches to it. My original idea was to attempt to make a Donburi Serif, but about three glyphs in turned into its own thing.
A classical option with a new point of view (the scrape). The LC is different to make more legible the pairs of equals glyphs like FF, TT, CC, OO, EE... IBYP because I'm kerning a lot of them.
Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.
A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)
There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!
Happy 10th anniversary to FS and all the fontstructors! Thanks a million to Meek and the sponsors. This is a wonderful trip and the future is infront of us, compañeros!
BTW, "Sorpasso" means "overtaking" in italian.
Introducing Caprine 1.3! Now supports Cyrillic!
Caprine is based on roller graffiti you can see in virtually any urban area. The straight and rigid lines and angles, along with the thick drop shadows make the face a real crowd pleaser.
It's a real pleasure to work now in FontStruct! And here we are a lot of new challenges too. PS for the beginners: Just only let the basic square and try the other bricks... It's amazing, believe me!
(This font is dedicated to my dear friend Miguel and his wife María. Miguel just died on 26/may/2012. ¡Nunca te olvidaremos, compañero!)
Work in progress (kerning and more glyphs to come).
My first entry for Serifcomp. Originally created in 2013, when I still had little knowledge about the finer details of type design. I've made major changes to the original design while trying not to lose its original feel (avoiding diagonal strokes, for example). I ended up making major changes to M, Q, T, W, f, k, m, q, r, t, and w, and minor changes to a bunch more; a ton of kerning was also required. It's not very polished yet, but it's a start...
Some alternates are available in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!
More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!This is a clone
I decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...
Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!