4421216
Published: 25th September, 2010
Last edited: 2nd October, 2010
Created: 16th September, 2010
UDATED 10-09-29. A machine head with bulk. In the same spirit as ITC Bolt Bold. Think dumpsters, caterpillars and tanks.
971212319
Published: 1st August, 2010
Last edited: 28th October, 2011
Created: 28th July, 2010
My very first serif font. First dreamt about the "u" one year ago, FS 2.0 made it possible.
Inspiration comes from classic fonts like Georgia, Optima, Times.
Bonus feature: "f" kinda automatically ligature :D
Not yet satisfied with k, t, x, z, comments/help welcome!
106136554
Published: 22nd June, 2010
Last edited: 9th July, 2010
Created: 16th May, 2010
Legere. Latin root of the word 'legible.' An attempt at an original legible serif typeface. No single reference used, but I did keep the Serif section of the FontBook always open. After finishing the letters, it guess it resembles Melior or Renault.
Somewhat inspired after caliopigio released Formal Roman. Maximization of composite angles were used to hammer out smooth curves in a smaller grid space. Cap height=42. I know I can make it smoother by working at twice the size, but at this point, fuggeddaboutit.
062110
256206099
Published: 5th June, 2010
Last edited: 5th June, 2010
Created: 21st May, 2010
No reference used at all. This is me drawing Paul Renner's original Futura from memory, without intending to. Actually, I was going for something more Avante Garde. It all started with the O and developed from there. The hardest letter = S. It was a real pain in the S. It was interesting afterward to compare the letters to Futura after finishing the caps.
Futura - It was like the Helvetica of 1928.
Bezziaire is an early experimental simulation of Bezier curves with FS2.0. Zooming 30% and below renders best results.
Horizontal optical compensation added for the circular glyphs, as well as baseline overshoots.
060510
Oh yeah, this also has preliminary involvement with shasta's circle competition, which is seriously humbled by his Circle Cult.
175451165385
Published: 8th March, 2009
Last edited: 9th June, 2010
Created: 6th March, 2009
the DOT experience continues...
It gives you an unexpected kind of FREEDOM creating lines with dots.
This time i doubled the resolution by using 2x2 circles.
Finally your eye can help making curves of any size look complete and entirely smooth!
Oh my god...
I see more possibilities now than ever before!! That technique of "dotting", as i call it, will make my brain bust, i guess.
:P
May the force be with me!
459142647
Published: 2nd October, 2008
Last edited: 24th June, 2009
Created: 23rd September, 2008
Trying to push the idea of what a letter really is. They are wire-formed letters, with rounded edges and three different thicknesses. They are made to give the impression of the letter, but to also contain a "futuristic-flourish" feel.
241305
Published: 1st October, 2008
Last edited: 3rd January, 2009
Created: 29th September, 2008
Hello all. Listed above is my uneven, juddering homage to Geralde curves in a typeface legible at small sizes and visually appealing at large sizes. Currently only the lowercase is available, and it's plagued with bend and shiver. Enjoy and watch for updates, any feedback appreciated.
843612455893
Published: 26th August, 2008
Last edited: 9th June, 2010
Created: 22nd August, 2008
hey fellas.
let me introduce my personal CROSSOVER of "arial" and "times new roman", two of the most famous fonts of western typefaces.
nicely presented in a scetchy pencil drawn quickie style :)
it's just lower case yet, but i wanted to share it.
upper case, numerals and symbols to come. really :)
this is especially tasty in small pixel sizes! thanks for attention!
try it...
*UNDER FONSTRUCTION*
3371820016
Published: 26th July, 2008
Last edited: 22nd June, 2009
Created: 5th July, 2008
A futuresque extra-bold font built around a dodecagonal shape.
See the font in use here.
893208584
Published: 24th July, 2008
Last edited: 9th June, 2010
Created: 24th July, 2008
“Scratching” is a form of vandalism apparently derived from sprayed graffiti, in which tags are scratched into windows (usually), mostly of public transportation vehicles and street furniture. This phenomenon has apparently begun in the early 1990s.
In Germany, scratching is especially prevalent in Berlin, Munich and the whole Ruhr-Area where literally no public transportation train car is without scratched windows, despite traffic companies spending 12 million € on repairing and exchanging scratched windows in 2005 alone.
During the 2006 FIFA World Cup, numerous visitors complained about the scratched windows."
-wikipedia
haha... crazy