40690
Published: 26th April, 2024
Last edited: 24th March, 2015
Created: 12th March, 2015
A modular type face with only capital letters and some punctuation. Inspired by video games from the 1980's.
4701960
Published: 1st May, 2008
Last edited: 16th June, 2009
Created: 1st May, 2008
Based upon Modula, created by Zuzana Lickos, typeface designer and Emigre co-founder.
330460
Published: 29th June, 2008
Last edited: 6th July, 2008
Created: 29th June, 2008
SFmunicipal is based on the flip-disc displays used by some of the older MUNI trains in San Francisco. M is the filled version.This is a clone
1133463
Published: 29th June, 2008
Last edited: 12th June, 2009
Created: 29th June, 2008
SFmunicipal is based on the flip-disc displays used by some of the older MUNI trains in San Francisco. N is the gridded version.This is a clone of SFmunicipal M
262726
Published: 25th September, 2008
Last edited: 25th September, 2008
Created: 24th September, 2008
Abstract, but still just about readable... idea for an alien language script, a la 1980s V TV series.
141260
Published: 6th October, 2008
Last edited: 7th October, 2008
Created: 27th September, 2008
First stab at creating a typeface. Intentions were to create a futuristic font while keeping rounded features.
2621031
Published: 10th November, 2008
Last edited: 12th February, 2009
Created: 3rd November, 2008
A modern modular typeface with an extended characterset including swash letters, ligatures and non ranging digits.
2041631
Published: 3rd June, 2009
Last edited: 30th June, 2009
Created: 29th May, 2009
I was in need of a free headline font for a comic story. So I build this one, quick and dirty.
150521
Published: 10th June, 2009
Last edited: 19th June, 2009
Created: 9th June, 2009
A modular reverse colour pixel font. Surprisingly legible at small point sizes. Inspired by old computer matrix displays and electronic ticker tape. The space character has a chevron cut into the top right corner.
11679724
Published: 12th July, 2009
Last edited: 11th February, 2012
Created: 17th May, 2009
This is a Fontstruct adaptation of an earlier work. The main point was to construct a font using exclusively one shape: the triangle. It was like creating a pixel font for a screen with triangular pixels. Of course, the original has equilateral triangles, and looks slightly different. It is also in the same vein as Legolas Codex. This is a clone of Legolas Stencil
239174337
Published: 22nd July, 2009
Last edited: 23rd July, 2009
Created: 25th June, 2009
This is a Sessions flavored remix of Saberrider's wonderful Poff font.This is a clone of poff
141264
Published: 30th September, 2009
Last edited: 30th September, 2009
Created: 30th September, 2009
Just CAPS at the moment....This is a clone of Calculate
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
65776221
Published: 26th October, 2009
Last edited: 4th November, 2009
Created: 1st October, 2009
For a full description see Sans Serious IThis is a clone
59476218
Published: 28th October, 2009
Last edited: 27th October, 2009
Created: 27th October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious I
3251628
Published: 30th October, 2009
Last edited: 2nd October, 2009
Created: 2nd October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious III
347513
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 1st November, 2009
Yet another version that came while modifying AUGHT One to AUGHT To. And believe it or not, in the process of doing these three fonts, enough additional glyphs were created and deleted to fill at least two more variants. This is why the Clone is enabled again so someone else might experiment some more, if they so choose.This is a clone