nice work boys
running steve is v1.3 of the fontstruction "running steve 1987".
This is a clone of LetrasteveThe bold slab version of Neue Haas Grootesk.
This is a clone of Neue Haas Grootesk BoldThis is a slab serif font that is meant to resemble the artchitecture of a castle from far away lands. With a worn effect to the characters and small embellishments like flags, windows, and lookouts, this font is meant for kings and queens from all lands. This font is best suited as a display type.
2 years and 65 fonts from last top pick.
See more:
https://www.fontstruct.com/fontstructions/show/18794/new_haven
https://www.fontstruct.com/fontstructions/show/1620939/stf-square-grylls
https://www.fontstruct.com/fontstructions/show/586928/fs_bank_1
https://www.fontstruct.com/fontstructions/show/1602698/dx-legimono-x
Mjölnir Razor Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including creative and artistic rights. Version 1.005
From the Mjölnir (Thor's war hammer) family. The Razor style denotes how sharp I made all of the lower serifs and other aspects of the design, while keeping that heavy slab hammer 'top'.
I am a carpenter (of sorts) and this has to do with the fact that my hammer has a head divided into a blunt blow tool end and a prying end, usually for nails. I decided I wanted a version with a pry bar so sharp... GEEZ! look at that, I cut myself. Bloody hell.
This is a clone of Mjölnir_FSMjölnir Basic is Copyright 2020 by Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights.
Mjölnir Basic is the cut-down, non-updated version of Mjölnir for personal use only, NO derivatives allowed.
This is a clone of Mjölnir_FSMjölnir Flying novelty slab serif display font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights. Version 1.005
Mjölnir is the name of Thor's hammer (God of War), hence, I tried to make the letters resemble some sort of new fangled hammer.
This is a clone of Mjölnir_FSJust a Western font inspired by other Western fonts like "Bottoms" by rilencavy and "Western Calligraphic" by Wataru Aiso.
There are only a few characters in this font, and some of the punctuation might not be original.
Derivative of Whichcraft. Both Whichcraft & TRE45ON are fonts created by and Copyright by Doug Peters (SymbioticDesign).
Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).
Donations are super-appreciated. Credit for my original work IS also greatly appreciated.
I guess I would classify this one as: Experimental.
Type: Slab Serif Caps with Sans?
Weight: Heavy.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.
P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Hevy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP
This is a cloneA quirky Pseudostencil design with a central horizontal slot going through it. The "slot" is 1 brick tall for lowercase and 2 for uppercase, and becomes a vertical slot for numerals and certain symbols.
This is named for the cowboy and lasagna emojis. These were repeatedly added to then removed from several popular chat clients and websites. Changing emoji standardization or government conspiracy? YOU DECIDE.
By request, a semimodular font which looks like a casual interpretation of "General Failure". This is also more condensed and more Pixel Optimized than its predecessor. It makes me think "fire station in a cartoon".
It uses a technique which folds some slabs in, which prevents slabs from altering the heights of letters - but slabs are still allowed to alter width to some extent. The slabs which do this are incorporated into glyphs' structures to such an extent that they are integral parts of the linework.
This could be kerned more closely, but like me, the requestor uses software which doesn't support kerning. Consider the spacing as part of the desired quirkiness.
A vaguely Courierlike OSD (Onscreen Display) font which tries its best to be casual. The name is inspired by the old computer joke: "Who is General Failure and why is he reading my hard disk?"
No filters or faux-beziers, just stock bricks and a bit of stacking/nudging!
*
More about the design:
It started as a doodle and an attempt to make a smooth, low-resolution, low-poly font, and then it became a Courierlike. I have other fonts that tried to do polygonal round shapes before this (such as Cartoon Riot) but this design is my first real success in this area.
Initially, I made the angled glyphs before the round ones. I didn't want to change the angled ones, so glyphs like C, O, and Q became a bit wider than they are tall. I'm quite fond of this, because in most designs these glyphs tend to have a tall and narrow character. I think the mildly squat look of this font makes it cuter and gives it more personality.
A lot of glyphs were altered in specific ways to look more like metal type, especially anything with diacritics which touch the letters themselves. Other glyphs were altered specifically to be interpretable at small size. I also use angled contours and actual round bricks alongside each other within the same glyphs, another technique which is geared toward style and interpretability at small size.
This font came with many new challenges and an array of new techniques had to be designed. Loops were an insurmountable challenge because of the low resolution and heavy line weight, so I drew rounded areas to suggest them. You can see it on letters like Greek γ, ζ, and ξ.