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Perhaps it is lack of motivation, or running out of ideas, or over abundance of streaming services, or the creeping up of age, or just plain laziness, but making new fonts gets harder and harder each day. And finish.
The heavy version of Capsaicin released back in 2020. Adding thickness wasn't that straightforward due to brick limitations. Alternate construction methods were implemented on the glyphs to create similar inktraps without sacrificing the innate qualities of the typeface.
I would like to continue working on it to make it more visually consistent, but I'll stop at this moment or else it might be a perpetual WIP.
See
This is a cloneСaps more Rock, lovercase more futuristic. Lc letters O and Q connect with other letters, uc O Q is slightly larger and does not.
See more:
https://fontstruct.com/fontstructions/show/628973/sorrier_statements
https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1
https://fontstruct.com/fontstructions/show/1702409/voron-2
https://fontstruct.com/fontstructions/show/1922854/moroz-4
https://fontstruct.com/fontstructions/show/480702/en_zelo
https://fontstruct.com/fontstructions/show/178543/bevelicious
https://fontstruct.com/fontstructions/show/48054/rosslyn_metal
https://fontstruct.com/fontstructions/show/332122/sentinel_3
VEROORDEELD - A geometric slab serif
This is a small type family with two style variations, see links bellow!
• Display Bold contrasted display version ◄- U are here!
• Text Light weight monostroke version
Accidental Fontstruct remake of Senator by Emigre. Initially reconstructing the lettering seen on this book cover, later found out about it being an existing comericial font. I decided to completed it anyway. But for this reason it will not be available for downloading. Sorry...
See more:
https://fontstruct.com/fontstructions/show/264790/paper_clips
https://fontstruct.com/fontstructions/show/754781/anthologic
https://fontstruct.com/fontstructions/show/332122/sentinel_3
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/795996/chibby
https://fontstruct.com/fontstructions/show/1687576/caramba-1
https://fontstruct.com/fontstructions/show/1404093/blopp-1
https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta
https://fontstruct.com/fontstructions/show/92583/frieda
At the end of October I decided to dive into the new Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out what the minimal size I could fontstruct it in, then expanded and condensed it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin characters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.
The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.
I liked the look of final font so much, that I decided to create a whole family. Cableguynium 0 (which has Zero cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).
Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.
ANY CRITICISM, GOOD OR BAD IS WELCOMED.
I started this typeface out with the letter 'a', and from there slowly build up the other glyphs and came to realise it looks like a festive type. It's most likely due to the terminals being very angular and sharp, and that thought strengthens ever more so after I tried using it in Adobe Illustrator.