FABRICON-CAST is another style variation within the FABRICON family.
This style was inspired by metal casting and apart from some minor varriations I made to the punctuations it's very similar to the other styles in this family. Except that unlike the other styles this one will not combine seemlessly with the rest.
This is a clone of STF_FABRICON_(OUTLINE)Style variation for the BOXCUTTER typeface!
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BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive.
It's pixel optimized as well and it comes in uppercase and small uppercase characters only!
This is a clone of STF_BOXCUTTERModernism alphabet
This is a clone of STF_HETERODYNE_(SOLID)Inspired by the lettering found on a vintage sheet music cover art for "La Java bousculée" released in 1924. Cover illustration and letters are designed by "Robert Laroche".
I attempted to complete the alphabet and numeral plus some punctuations!
BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive.
It's pixel optimized as well and it comes in uppercase and small uppercase characters only!
MILITIA - A bold geometric typeface inspired by the military.
It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!
Enjoy!
This is a clone of STF_MILITIA (STENCIL)Corded modernist minimalism script typeface design.
It is trying to mimmic letters written with a bend metal wire or a chord.
It is only in lowercase letters at the moment no numerals and only very limited punctuations. But It is still very fun to play around with.
And my apologies for putting a sting of glyphs with only a line showing in the numeral block but I did this to make the pangram for the font show up in when viewed from the gallery
NEXT SKYCITY - A decorative future-retro art deco style display typeface.
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This is a remastered and extended sequel to an pre-existing older design I did.
Now, the reason for this was due to the fact that there was a lot going on in the older version I simply just wasn't satisfied with.
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This new and extended version includes an overall more streamlined and consistent design. Much improved and more balanced looking numerals.
Also have I corrected and added numerous punctuation marks, and, last but not least.. What truly changed this previously more of a lettering idea type design into a relative usable full font is, the introdiction of a simple and legible geometric lowercase string. Make the font far more suitable for body text.
The uppercase and numeral strings are a random mix of both normal open stroke-based geometric letterforms and stylistic filled letter-contours, that, when arranged like this making the uppercase character set look playful and slightly future-ish retro at first, yet a somewhat strangely ellegant sophistication that is ever so gently present. This could be used in isolation for a strong and convincing decorative headline text, or in conbination with the lowercase for a surprisingly readable an clean looking body text that has the occasional occurance of a decorative capital letter.
I hope you like it so far...
This is a cloneLENA (Solid) - Geometric retro display type family
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This is a part of the typeface family called 'LENA'.
A font family that comes in 3 different style varriations: Inline Solid, & Text
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Here you can find the rest of this family:
LENA (Text)
LENA (Inline)
Cheers
This is a clone of STF_LENA_(Inline)LENA (Text) - Geometric retro display type family
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This is a part of the typeface family called 'LENA'.
A font family that comes in 3 different style varriations: Inline Solid, & Text
============================
Here you can find the rest of this family:
LENA (Solid)
LENA (Inline)
Cheers
This is a clone of STF_LENA_(Solid)DIDUDE (Regular) ― Contemporary Neo-classical "Didone" style serif
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The idea revolved around the basic concept for 'Didone'-style typefaces.
A genre characterized by modern unornamented standard letterforms, which was very popular for general-purpose printing during the 19th century. DIDUDE is by no means an attempt to embarge on a quest trying to deliver a conceptual overhaul of this genre. Its main goal was to achieve greater simplicity, without sacrificing that traditional neo-classical personality. Instead of leaning towards the typically more 'Humanist'-influenced style with distinct stroke modulations and proportional forms, geometry and symmetry were introduced to design this more simplified take on the traditional historical style. It has been crafted with a structural logic of its own.
"Less human, more geometry.."A fusion of geometry and neo-classical elements that blends the past with the present.
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Main distinctive features for DIDUDE (Regular) are:
Unbracketed serifs, vertical orientation of weight axes with a strong contrast between thick and thin strokes, slightly squarish-shaped round characters and its emphasized business-like nature. So the majority of important characteristics that distinguish the neo-classical style have been incorporated.
Certain features that were implemented into DIDUDE's design are somewhat setting it apart from most other, more traditional typefaces in this genre, and most notable is the more relaxed contrast ratio that was choosen for this particular project.
Further personalizing touches were made to stroke endings and curve geometry, providing slight 'calligraphy'-inspired decorative variation with occasional spurs, breaks, curved finials and plain monolinear terminals.
Topping it all off with an ever so gentle height deviation that sparks a subtle rhythm to any line of text. Last but not least, most of the optical clunkiness was addressed and either corrected or compensated.
There is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and glyph alternatives, punctuation marks, lining and non-lining text figures, roman numerals, (Partial) Greek and Cyrillic, also numerous non-lingual technical, mathematical and decorative stuff was included.
Only partially kerning for now and this remains a WIP.
Nonetheless, I hope y'all like it so far..
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Here is a link to the other font style in this typeface family:
STF DIDUDE (Condensed)
Cheers
This is a clone of STF_DIDUDE_(Condensed)This Fontstruction is a joint venture between Dmitriy Sychiov and myself, Sed4tives.
A while ago I had the concept basic forms for this design pre-published in an effort to try and reach out to y'all, asking if any of you was interested in joining me in this attempt to create a multi member community collaboration.
The original idea had I invisioned at that time was; presumptuous that most writing systems have two parallel sets of letters that can be used to distinguish between upper- and lowercase. That hypothetically could than be divided in two separate "Half-A-Bets"(oopz, lol). One one for upper- and a second for lowercase. Allowing two Fontstructors to each choose their own designated section within that specific language. But enthusiasm quickly reached critical mass, making a mild gesture go ballistic and somehow sketched this crazy wild idea of having multiple participating parties that each reserved one-half of a language within one of the several designated ranges for the Basic Multilingual Planes (preferably within their native writing system if possible), and in turns to each have them supply the glyph set for their section.
Oh, and "Sweet mother of a blind gekko", boy what was I wrong, as eventually only one Die-Hard going by the name Dmitriy hooked up with the project in the end.
So hereby I proudly present the results of this combined forces:
"Gesamtkunstwerk" — A Futuristic sci-fi stencil sans
The philosophy behind the FontStruction was to publish the completed font with open font license (so that it is clonable). Feel free to redistribute/share, clone, learn or even refurbish mash-up and re-publish your version.
— [The original collaborative project is now closed for any new participating parties, sorry!]
Some small things still need additional work, such as kerning (which is incomplete and remains a WIP for now), Cyriillic script still missing uppercase set. All of this is scheduled to be included soon, so stay tuned..
hope y'all simply enjoy it so far nonetheless!
Cheers
This is a cloneA remastered version of the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
So, rather than a replica of the original, this is a 2018 view of the classic letters. It still follows the global contour of the original letters but instead of being stenciled it features solid glyphs.
Letters based on the brand logo of CalpamSMD Olie B.V. a Dutch oil company.
Enjoy!
This is a clone of STF_COOLPAMLENA (Inline) - Geometric retro display type family
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This is a part of the typeface family called 'LENA'.
A font family that comes in 3 different style varriations: Inline Solid, & Text
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Here you can find the rest of this family:
LENA (Text)
LENA (Solid)
Cheers
Recap of the lettering seen on a old brochure by Wendingen for the "Internationale Theater Tentoonstelling Amsterdam 1922"
The brochure and letters were designed by:
"Hendricus Theodorus Wijdeveld" (4 october 1885 – 20 februari 1987).
As usual I completed the alphabet, but (since its mainly a display typeface) this time I used the punctuations to store some glyphs meant to be used for drawing ornamental decorations as seen on the original brochure design.