20267718
Published: 14th November, 2010
Last edited: 14th November, 2010
Created: 17th October, 2010
A unicase stovepipe sans. Also see the sharp version.This is a clone of Fungal Sharp
5342718
Published: 9th May, 2011
Last edited: 10th May, 2011
Created: 9th May, 2011
Font to create borders. Use capital latin letters; space is 1 brick width.
4284918
Published: 16th May, 2011
Last edited: 24th May, 2011
Created: 16th May, 2011
Spherical 5×7 oddity.
Clone freely if you want! For me, it’s not enough time to continue.
57108018
Published: 29th August, 2014
Last edited: 31st August, 2014
Created: 5th August, 2014
Sort of a conceptual one - a futuristic MICR system, based on ASCII. Each letter is built of six "bits" in a 2x3 grid, with two "bits" in the underline. If a bit is a 1 in the ASCII code, the cell will be filled with four black squares. If the bit is a 0, the cell will contain 0, 1, or 2 black squares. No cell contains 3 black squares.
921610617
Published: 4th September, 2009
Last edited: 11th September, 2009
Created: 3rd September, 2009
If you want to create cool Letterings, try Underground!
This was inspired by Pincoya Black Type by Daniel Hernandez. You can write letter by letter using the Uppercase or you can connect every character using the alternates.
Please take a look at the example, then you´ll understand the idea!
Lowercase are alternates of the same letter or a different letter. >=alt.B, <=alt.D, @=alt.T
Underline:=+, Overline=*, Filter: 1,6.
75109217
Published: 2nd October, 2009
Last edited: 3rd October, 2009
Created: 2nd October, 2009
Clone of Afrobeat Regular. Same lc as Afrobeat Regular, but with small caps and small numbers. You have many different possibilities to combine the letters, take a close look at the example. Looks smoother and more balanced to me. What do you think? More glyphs to come.
*=alt.l, #=alt.t, %=alt.fThis is a clone of Afrobeat Regular
82513416
Published: 12th March, 2011
Last edited: 6th November, 2017
Created: 12th March, 2011
A faux-runic fontstruction. Upper-case is a little crazier than lower-.
Try it at pixel size!
77289116
Published: 19th August, 2011
Last edited: 23rd August, 2011
Created: 19th August, 2011
Clone of fs Arc Test 1:1, which was started on Fri, 27th August, 11:59 AM 2010.
As simple as this fs may appear to be, it was much more complex to pull off. The curves and angles just did not match. The original version was at filter 1:1. Today--after a long time--I had enough free time to play around. Cloned and upped the filter to 2:2 (well, 1.75:1.75 to be exact). The 0.25 offset was initially put into place for the creative process, just so I know which brick was where. The breaks became a design element somewhere along the way. That caused additional brick placement problems. A full 2:2 filter would have made things much easier. Regardless, I am reasonably satisfied with the outcome. Needless to say, each glyph went through a whole bunch of iterations before settling on what's currently visible. Not all turned out good. The 'V', for instance. Who knows, better solutions may exist.
Take a square, split it horizontally, vertically and diagonally. This gives just 16 line segments to work with. I have a book where the author lists every possible combination of those 16 line segments. That gives a staggering 65535 total possibilities. And that's just straight lines. I mention this because the uppercase grid here is 6×8=48 bricks (counting one 2:2 brick as 4 1:1 bricks). Then there is the possibility of using a whole slew of 4×4 brick shape. I am not even going to attempt to figure out how many total possible combinations that makes but I am sure it is a number much larger than 65535.
The point is, with so many possible brick combinations, better solutions most probably exist. I just may be too narrow-minded to visualize them.This is a clone
305520615
Published: 28th August, 2008
Last edited: 15th June, 2009
Created: 28th August, 2008
Clone of Pullchain. Bolder, and with a few optical corrections on the characters.This is a clone of Pullchain
1432013215
Published: 10th February, 2011
Last edited: 19th November, 2011
Created: 5th February, 2011
An original dot matrix typeface designed for the new millennium! Warning - this memory-resident font only works with printers for the following microcomputer systems: Tandy Corp / Radio Shack TRS-80 (all models) ; Commodore 64 ; Vic 20 ; Atari 400/800/XL/XE series ; Apple II series ; and IBM PCs & PC Clones running MS-DOS versions 1.x-6.22
7089015
Published: 15th October, 2011
Last edited: 14th October, 2011
Created: 10th October, 2011
I'm sure this is actually someone else's design style from somewhere along the way that I have now 'borrowed'...
100166915
Published: 29th June, 2015
Last edited: 29th June, 2015
Created: 5th September, 2014
A simple monogram font. Upper case is tall letters, lower case is wide.
Use 0-9 ! @ # $ to fill in holes where needed. Space to separate symbols. ? for an octagonal frame.
EDIT: / now adds decorative corners
17712614
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave.This is a clone of Eclat Weave
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
256453714
Published: 1st May, 2009
Last edited: 30th June, 2009
Created: 12th April, 2009 A sans serif computer related font inspired by bitmap fonts like Chicago and Charcoal, but it evolved with some of Fontstruct's "Design Limits" in mind:
I left the lower right corner slab of the N to add some rhythm to the "uncrossing" X's slabs (also present in the K), which to my perspective balances the V's impossibility of a straight angle from top to bottom.
I also used a 2x2 grid filter, that I've learned from williaum's a ll e g o r i c a, just to correct some punctuation issues and to make a narrower c. djnippa's Brick Stacker Tutorial also came in handy, THX2uBoth!