7701654
Published: 4th April, 2008
Last edited: 4th April, 2008
Created: 4th April, 2008
A quick experiment to see how small i can make a font (3x4 grid) while keeping it legible.
481983
Published: 10th May, 2008
Last edited: 10th May, 2008
Created: 10th May, 2008
What were you doing in 1994/95? What I was doing was spending all night using the Doom Construction Kit (DCK unfortunately, for short) coming up with lots of random Doom maps and then this typeface was burned into my face for quite the extended time.
Fast forward to now and although DCK is hard to run and execute on today's modern systems (even in the latest DOSBox) its legacy still lives on via this typeface.
Note that this is NOT the DCK3.x typeface, which is completely different, and looks similar to Chicago anyway.
This is my first fontstruct font ever. There may be changes made to this font in the near future but when I 'figure it out' I will definitely update this thing.
Basic latin only. :(
Also not fixed width unfortunately, so some characters squeeze together and ASCII art doesn't look lined up.
6021092
Published: 17th May, 2008
Last edited: 31st May, 2008
Created: 17th May, 2008
An accurate Morse code alphabet, I've checked it with multiple sources. It was made for myself but I'm sure it would be great for someone else learning. It has the correct spacing between letters, dots and dashes, and has most of the common special characters, The only problem is spacing between words.
NOTE: The little thing in the top left hand corner at the start of each letter is there so the spacing works correctly, at the moment it works fine on the website but when downloaded, it didn't space the individual letters as they should have been, this will probably be temporary, but its not even noticeable in the downloaded version anyway.
Enjoy :)
6141707
Published: 14th April, 2008
Last edited: 31st May, 2008
Created: 14th April, 2008
Leiria without the serifs was unusable (because of the kerning/spacing), so this is what I got after some modifications to that attempt.This is a clone of Leiria
421473
Published: 19th June, 2008
Last edited: 29th June, 2008
Created: 19th June, 2008
Caps and numerals only. Alternatives for E, F, K, M, N, Q, S, X, Y and Z under the lowercase keys.
1471983
Published: 30th April, 2008
Last edited: 1st July, 2008
Created: 30th April, 2008
Work in progress.
Comments welcome.
May 2nd edit: All Basic Latin complete.
340753
Published: 24th May, 2008
Last edited: 10th July, 2008
Created: 24th May, 2008
The bottom layer of the Robot Butler series.This is a clone of Robot Butler Open
560983
Published: 26th June, 2008
Last edited: 3rd August, 2008
Created: 26th June, 2008
Jointed version of my font "I Love U". Please use tilde to start a word. For example: ~I ~Love ~$This is a clone of I Love U
6941077
Published: 2nd June, 2008
Last edited: 22nd September, 2008
Created: 2nd June, 2008
Fat, dense version of Bop Carre! See the image enclosed, looks much better in truetype. This is a clone of bop carré
19904112
Published: 1st May, 2008
Last edited: 18th October, 2008
Created: 1st May, 2008
Finally, a font that combines MICR with UPC-A* To use, A-J is 0-9 start digit, 0-9 is 0-9 left of the guard bars, - is the guard bars, )!@#$%^&*( are 0-9 right of the guard bars, and a-j is 0-9 in the check digit.
For instance to encode the UPC for Adobe Photoshop CS3 (883919080222) you would type:
I83919-)*)@@c
I hope that's clear :-)
*Note: Font may not actually work with either MICR or UPC systems, although it will work as an awesome futuristic machine prison camp tattoo.
420982
Published: 25th June, 2008
Last edited: 20th October, 2008
Created: 25th June, 2008
A Dark version of my "I Love U" font.This is a clone of I Love U
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
17712614
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave.This is a clone of Eclat Weave
19741084
Published: 24th June, 2008
Last edited: 3rd November, 2008
Created: 24th June, 2008
More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today.
Customize your grill with different fills. For extra bling and total street-hustle krunk, layer the star fill on top of the base pave set. Color that s#it gold, son.
Put your type where your mouth is.
Note: kerning subject to da gaps yo teef.
14512612
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave Rounded White.This is a clone of Eclat Weave Rounded White
20559811
Published: 28th October, 2008
Last edited: 19th November, 2008
Created: 28th October, 2008
This Fontstruction was produced after plugging in the Atari 2600 the other night and falling in love all over again with the minimalist simplicity of the game Breakout.
A little Jobs/Wozniak drama from the development story of the game Breakout:
"Breakout, a discrete logic (non-microprocessor) game, was conceptualized by Nolan Bushnell and Steve Bristow, after the latter had "rejoined" Atari after the merge of Atari subsidiary Kee Games.
"Al Alcorn was assigned as the project manager, and began development with Cyan Engineering in 1975. The same year, Alcorn assigned Steve Jobs to design a prototype. Jobs was offered USD$750, with an extra $100 each time a chip was eliminated from the prospected design. Jobs promised to complete a prototype within four days. Jobs noticed his friend Steve Wozniak—employee of Hewlett-Packard—was capable of producing designs with a small number of chips, and invited him to work on the hardware design with the prospect of splitting the $750 wage.
"The original deadline was met after Wozniak didn't sleep for four days straight. In the end 50 chips were removed from Jobs' original design. This equated to a $5000 USD bonus, which Jobs kept secret from Wozniak, instead only paying him $375."
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
271158713
Published: 6th June, 2008
Last edited: 4th January, 2009
Created: 6th June, 2008
This is still work in progress, a lot of characters missing. There are only UPPERCASE characters available, I filled the lowercase letters with random symbols/patterns.
The design is based on this stamp design from 1978 by Gert Dumbar.
Use font sizes 64, 128 or 256px. Set leading to 24 (for font size 64), 48 (for 128) and 96 (for 256).
More information