This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats. To further this idea of a 'time gone by', I created this font in the set to look like ink stamped letters.
This is a clone of 1st Draft of Analogue Fizz"Slaughter Serif" aims to bring a thick, cutting-edge style mixed with hand drawn elements to type. Yet legible, it is to be used for display type considering the small but profound details. This is my first font, so any feedback would be greatly appreciated. Thanks for looking <3
Slab Serif 300 as a stencil font. Bridges on the UC are vertical, on the LC horizontal. Bridges on numbers, symbols, punctuation are mostly vertical.
This is a clone of Slab Serif 300A fun, jagged and crazy display font!
The lowercase are alternates to the uppercase, so feel free to shuffle them as much as you like!
UPDATE: I changed the "U" and "V", and i made some numbers and simple punctuation. I also made the lowercase/alternates. All thanks to @frongile and @riccard0
Cloned from Aidenfont's "Amogphabet" who seemed to have been inspired by the shapes of "Amogus"; I kept Aidanfont's name for my extended clone and added the "_A_" at the end (to indicate that this is the 1st extended clone of "Amogphabet" should other Fonstructors wish to extend further).
The original "s" is on LC, a different "S" is on the UC.
In this clone I adjusted word and letter spacing, added numerals, a few useful punctuation marks (even on 'More Latin'), all 'more Latin' letters and some on Latin1.
Creating the @ seemed an ideal project, the basic shape of the "A" invites the change. I designed 3 different versions of "@" but didn't find a shape that would flow with surrounding glyphs.
This is a clone of Amogphabet