80127312
Published: 11th June, 2012
Last edited: 25th August, 2012
Created: 4th June, 2012
Here it is, Siliko! A font designed for "rocking" stuff and perfect for brands too.
NO matter for the kerning, I hope meek will make a kerning feature soon...
More glyphs coming soon..
70673
Published: 6th November, 2009
Last edited: 23rd November, 2009
Created: 24th October, 2009
This is for a uni project and my first ever use of fontstruct.
i have used an invert technique using triangles
throughout the letters and numbers.
hope you enjoy
213669
Published: 7th November, 2009
Last edited: 7th November, 2009
Created: 24th October, 2009
A font i created for a University brief, the font had to represent the theme of decay.
160653
Published: 15th November, 2010
Last edited: 15th November, 2010
Created: 11th November, 2010
This sans serif is an extended typeface that uses only uppercase letters that are wider than they are tall disregarding x-height. FatBot Sans is named so because of the expression of letterforms that look robotic but are extremely exaggerated in the extension and have fatty qualities. Imagine an obese robot sitting on a sheet of paper, that is the nature of FatBot Sans.
160635
Published: 12th September, 2012
Last edited: 12th September, 2012
Created: 7th September, 2012
An updated version of Imagine FB, whereas now all the letters are the same height
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
332554
Published: 3rd May, 2024
Last edited: 7th February, 2011
Created: 30th October, 2010
The American Sign Language fingerspelling alphabet. I'm not too happy with J and P is absolutely horrid, but I haven't gotten anything else to work.This is a clone
121532
Published: 18th August, 2010
Last edited: 13th September, 2012
Created: 18th August, 2010
i just created a few cool logos(inspired by afrojet's playtime pattern motifs)
384235388
Published: 12th May, 2015
Last edited: 9th May, 2015
Created: 2nd October, 2014
Gorgeous, isn't it? This is a reproduction of a cross-stitch pattern from the French series of embroidery books "Maison Sajou". It dates to around the turn of the 20th century. After seeing such a beautiful, ornate pattern, I just had to convert this one to a font, a process that took several months.
The design is made of intricate flower buds, stems, leaves, and check patterns. The design of the letters is similar throughout the pattern, however no two letters have exactly the same layout (for example, flower buds are facing a slightly different angle). Each letter is intertwined with a branch that winds its way up the letter, and features representations of leaflets and berries.
The 'I' and 'W' were not present in the original design. 'J' doubles as 'I' and 'W' is a rotated 'M'. While I would love to make up numerals based on the current letters, it would be a daunting task as each letter is about a 100x100 size grid. Anyone is welcome to clone this font and give it a shot.
This pattern was found on http://patternmakercharts.blogspot.com/2010/11/sajou-no-601.html . There are lots of Sajou and other embroidery patterns there.