This is a font inspired by the word 'systematic'. My main influence when creating this font was archiecture and the form of buildings. I focused strongly on lines and the grid system as I felt this really fit the theme of 'systematic' and archiecture as both remind me of acting according to a fixed plan or system; methodical.
This is a cloneTopo was originally inspired by the theme Filthy. The idea of compact lines came from looking at the shapes chewed into chewing gum pieces which are wrongly discarded on the floor. Using topographic maps I created the lines for each letter respectively hence the naming of the font.
Topolegs was originally inspired by the theme Filthy. The idea of compact lines came from looking at the shapes chewed into chewing gum pieces which are wrongly discarded on the floor. Using topographic maps I created the lines for each letter respectively hence the naming of the font. This is a follow up of the font I previously created called Topo.
This is a clone of TopoTHEME: PROTECT
A display font inspired by one of the UK's first and most influential free-party sound systems- Spiral Tribe. They helped create a culture of freedom and expression through art and music which was heavily (and still continues to be) suppressed by the Police. They used tribal patterns frequently in their artwork, which is the reasoning behind the spiral shapes within the letters.
The weights are varied throughout the letters to make it more playful and psycholdelic, as the rave culture is against agression and force used frequently against them by the police. New age travellers embrace harmony- which is why the letters are sized so that they work together in words to create a wider pattern.
This geometric font was built up from the theme of a continuous typeface. After developing sketched ideas and experimenting on fontsrtuct I became aware or a continuous theme throughout my font design of continuous lines and geometric shapes. This led me to research type designers and artists such as El Lissitsky's use of shapes to portray political messages, Herbert Bayer's rounded font style, Paul Renner's original architype fonts's unusual abstract designs and finally Matt W Moore's modern geometric typefaces which heavily influenced my designs. This can be seen through the abstract use of shapes inspired by El Lissitsky which can be seen in the letter M, H and V. Aspects of Matt W Moore can also be seen in my designs from his Alphafont 2 and 3 on the use of lines for the letters M, H and Z, and his use of shapes which are seen in the letters A and V. With inspiration coming from a range of times, artists and typographers this gives the font a feel of old and new. As it looks like it could be inscriptions on tombs and pyramids but also has a futuristic sci-fi appearance. Therefore the use of this font could be used for film posters and books of a setting in the future or ancient Egyptian or Greek past.
This is a clone of Continuous1