Uppercase font with some alternates in the lowercase zone. You can find an extra third "S" in the "t" glyph. See also zhellbar, the solid colour version.
This is a clone of zhellbar Col eYe/FSThis font is another of the products that a challenge as lively as TwentiesComp generates in FontStruct. You spend two weeks (or more) devising and building original and competitive fonts in a crazy race, but your brain does not stop when the Comp is over and continues through the nooks and crannies that you had demanded of it before, searching and producing new suggestions. This was one of those post-hoc ideas that came up when the fonts to present were already finished. Hope I don't detract too much with it the great level that this Comp has had. Thanks for your compreension.
This is just a silly unicase font with alternates, made with simple squares and triangles (and some few other bricks)... But the colours captivated me. I hope you like the result. PS: You can also find an additional colour space (if you need it) in the "|" glyph.
This is a cloneIt's silly (but I couldn't get it out of my head): This is the font inside zignbox. Absolute negative space use. Unicase with alternates, of course. But it works well!.
This is a clone of zignbox eYe/FSThis font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.
Inspired by the inner inktraps of Rocky Road by Baharak Pourmirzajan. An extra "g" is at the "±" glyph. The name of the font refers to the science-fiction korean series "The Silent Sea".
This is a clone of Rocky RoadThis is zimmera without scratches, more usable for general purposes. Thanks to @frongile for encouraging me to add it here. Hope you like it.
This is a clone of zimmera eYe/FSAlternatives for some glyphs (trying to disconnect a bit the sides and baselines) are in the lowercase zone. Plus: other "1" at the "t", the 3rd "U" (and their accents) at the "v", "ò", "ó", "ô" and "ö", respectively. Enjoy it, please.
Unicase font with a lot of alternates in the lowercase to improve the general playfullness. Also added more diacritics and accents, and remodeled and kerned the old glyphs. (Plus: other "1" at the "t", the 3rd "U" -and their accents- are at the "v", "ò", "ó", "ô" and "ö", respectively.)
This is a clone of zimonart eYe/FSUnicase font. You can find alternates to "A" & "E" at the lowercase "a" & "e" (and their accents, of course), an additional design for the "Q" at the "q" and a "c" typing the "¢" sign. This font is directly inspired on Nickel created by the cool typographer David Jonathan Ross from DJR Foundry. Why? I don't know if this will happen to any of you, but me, when I stop to look at a font that I like, I find myself evaluating how the author has solved the usual "design problems". There are times when I agree with the chosen solutions (the most), but there are others when I think I would do it differently. This is the case. I wanted to modify a bit the general appearance of some glyphs of the font, especially characters like C, E, F, G, M, Q, R, S, X, Z and more, or the numbers and some secondary others. The differences were extensives and are more or less subtle in each of the complete set... And here you are the final result, I hope you like it. I've learned a lot during this experience, and FontStruct has been shown to be a very valid tool to work at this level. Thanks for read my little explanation and enjoy with this work, please.