553978
Published: 27th December, 2009
Last edited: 27th December, 2009
Created: 20th December, 2009
This one is purely experimental. Micro 205 is designed to be readable at small sizes and distinctive at large sizes. It's best to view the sample at the smallest and largest sizes.
Only two block styles are used to build the font.
2112030
Published: 14th December, 2009
Last edited: 11th December, 2009
Created: 10th December, 2009
Pixel font for small screen design and Flash optimized, use it in 16 pixels height (and multiples) for best results.
50720
Published: 7th December, 2009
Last edited: 7th December, 2009
Created: 14th August, 2008
This font is a tiny letter font at 5px height and average of 3px width. Only capital Letters
261875
Published: 7th December, 2009
Last edited: 7th December, 2009
Created: 2nd December, 2009
A thin and tall type good for headlines and small horizontal spaces.
41731
Published: 14th November, 2009
Last edited: 14th November, 2009
Created: 14th November, 2009
Designed for 8 points and up. Blocks have been chosen with the pixel view in mind. No lowercase.
Numbers are same sized, have serifs and wider than letters. Letters are smaller, sans serif and variable size.
60900
Published: 4th November, 2009
Last edited: 10th November, 2009
Created: 29th October, 2009
Just a simple Pixel-Font, primary done for a Project at my FH...
423621
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 14th October, 2009
Although build from scratch, AUGHT should really appear as a clone of ought because the idea is the same, just a different execution. Some glyphs came together fairly easy (A B C etc.), others took some doing (T Y S), some just don't work out well (G P Q Z), and some worked too well (I J).
347513
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 1st November, 2009
Yet another version that came while modifying AUGHT One to AUGHT To. And believe it or not, in the process of doing these three fonts, enough additional glyphs were created and deleted to fill at least two more variants. This is why the Clone is enabled again so someone else might experiment some more, if they so choose.This is a clone
181983
Published: 25th October, 2009
Last edited: 18th February, 2010
Created: 22nd October, 2009
My first real attempt at a small grid (7 x 7 squares) More an exercise in restraint than a serious design.
70821
Published: 16th October, 2009
Last edited: 16th October, 2009
Created: 15th October, 2009
This is my first good font..
I made an another but that sucked.. :P So ur never gonna see it :P
50941
Published: 10th September, 2009
Last edited: 25th July, 2009
Created: 24th July, 2009
A Font in two squares. Why did I make this? Because it was possible.
2201440
Published: 2nd September, 2009
Last edited: 3rd September, 2009
Created: 1st September, 2009
Simple small pixel font: I just thought it would have been nice to have it as a font instead of drawing it each time. All caps, some symbols. Plus, instead of small caps, little things I use to do fancy pixel lines. Lines better at 16px.
701000
Published: 2nd September, 2009
Last edited: 2nd September, 2009
Created: 2nd September, 2009
This is the smallest, and barely readable font that is 4x4 pixels.
245734
Published: 25th August, 2009
Last edited: 30th May, 2010
Created: 25th August, 2009
A small attempt at using as few bricks per letter as possible. I’m far more satisfied with lowercase than uppercase. I used a 1.5 width in order to obtain a uniform .5 letterspacing.
70981
Published: 11th August, 2009
Last edited: 11th August, 2009
Created: 11th August, 2009
A small nice pixel font. This is my second font, my first one is just one for certain people. Feel free to use this!
64208914
Published: 28th July, 2009
Last edited: 18th February, 2015
Created: 17th July, 2009
The last and most difficult of the sharp serif experiments. Created on an 8 wide by 5 high base grid space. Unconventionally fontstructed while adhering to the impositions of the law of the brick. What do I mean? Just try recreating the letter A. It shouldn't be possible, so I did it anyway.
3421224
Published: 21st July, 2009
Last edited: 20th July, 2009
Created: 27th October, 2008
Karuso. As in Robinson Caruso. Because it should be shipwrecked on a deserted island. That's where I planned to leave it in private (and you're probably thinking that's where I should have left it). Check the creation date - it's been stranded for a while.
This is the first in a set of text face experiments, and it reveals the beginnings of an evolution of high contrast fontstructing over a minimized grid space. Not all glyphs are how I wanted them to be. Some may be hideous. The spacing is terrible. But as a fontstruction, this one really got me to push the bricks to develop some resemblance of a Times Romanesque sharp serif typeface. Many, many tricks had to come in to play to make this happen at its current state. Overlapping bricks, brick stacking, overlapping brick stacking. It's all in there. I learned a lot from this insane attempt just from the lowercase letter forms alone. I mean, just look at that g! Try it at your own risk. 6x8 grid space, Double XY.
But don't worry, this is as bad as it gets. It does get better from here, but only a little bit, so don't get your hopes up. Stay tuned.This is a clone
1101764
Published: 13th July, 2009
Last edited: 14th July, 2009
Created: 13th July, 2009
Clone of Crackers pillowcase.
Cracker's nutshell has rough edges where the outlines are all joined.This is a clone of Crackers pillowcase