See more:
https://fontstruct.com/fontstructions/show/2283239/mm-display-2
This is a clone of OckhamCharted from historic French cross stitch book Maison Sajou Miniature Album no. 3. The pattern was found at http://patternmakercharts.blogspot.com/2009/07/pattern-maker-xsd-file-sajou-no-3.html
This is a clone of Sajou 002-5Big & Tall is a wide and tall typeface used for headlines and everything big and tall.
This is a clone of Big & TallSee more:
https://fontstruct.com/fontstructions/show/322449/klonk_1
https://fontstruct.com/fontstructions/show/1503856/cryostasis-1
https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire
This is a clone of Pressure ExtendedWORK IN PROGRESS! SUGGESTIONS AND TOP PICK ARE WELCOME
See more:
https://fontstruct.com/fontstructions/show/44117/mad_decent
https://fontstruct.com/fontstructions/show/1739315/baldiozh
https://fontstruct.com/fontstructions/show/1725534/ermak-1
https://olohgram.gumroad.com/
https://fontstruct.com/fontstructions/show/1745326/beast-under-the-bed
https://fontstruct.com/fontstructions/show/1631323/robots-in-space
https://fontstruct.com/fontstructions/show/1243391/speed-shop
https://fontstruct.com/fontstructions/show/1292787/brambled-metric
See more:
https://fontstruct.com/fontstructions/show/417416/technosexual
https://fontstruct.com/fontstructions/show/1713078/solid-snake
https://fontstruct.com/fontstructions/show/2419088/unnamed-66
https://fontstruct.com/fontstructions/show/865676/de_stijl_8
This is a clone of E-Keet BeansWIP
See more:
https://www.fontstruct.com/fontstructions/show/1723835/circularities-14-1-1-1
See more:
https://fontstruct.com/fontstructions/show/1399486/new-azbuka-easy-to-read
https://fontstruct.com/fontstructions/show/1592397/amyn-1
https://fontstruct.com/fontstructions/show/1563198/yakut-brilliant
https://fontstruct.com/fontstructions/show/522360/alphane
This is a clone of RetroVision2000Clone of Knucklehead.
This is a clone of KnuckleheadThe design process is typical in its atypicality (yes, it is a word, or, at least, should be!).
The atypicality necessitates the telling of the story behind it.
Looking for something to do...something easy to do, I came across the font shown 5th from the top in this article on Dieline. "I can do this," thought I. I did a 2 that looked similar. Based on that, did the 3. 5 6 9. 0 8. 1 7. "Hmm." Add the horizontal stripes. 7. 4? "No." Re-4? "No. Another 4? Perhaps thinner sides?" "Even thinner." "Hmm." Redo 1 2 3 5 6 7 8 9. "Maybe this is better. OK, lets do the letters." Start with Z because it is almost a 2 with minor curve tweak. Do the S. B because 3 is done. A. V. C. E. F L. J. Etc.
The glyphs so far have a 3 horizontal band appearance. Do the lowercase. a is two bands. b is two bands...but how high should the ascender be? Also, the x-height seems wrong. Off somehow. "Can I do a 2 band uppercase with the letter slightly taller. Maybe 2 bricks taller?"
Redo A. Redo B. "No this B is not working." Redo B. Redo B. Redo B. "Hmm. Maybe." Redo C D. Redo E F L. "OK, this might work." Redo to all uppercase letters.
Do the lowercase. "Yes I like the new f." Redo other letters to include the flip. Most of the letters are the same width. "Maybe I can make this a mono-space font." Redo m. Redo M. W. V. "The A looks odd." Redo A. And so on.
The font may have started as a simple thing but it is very different now. "I'll just publish it." "No, I should at least do the basic punctuations." "No this hyphen is too thick." Redo. "Now it is too thin." Redo. "Now it is too wide. But this is mono-space font. The width cannot be altered." +. "That just looks weird." Redo +. Now the - looks off. Redo -. Now they both don't fit with the rest of the font. Redo + -. "No. I'll come back to them." Do [. "No that's too heavy top and bottom." Redo [. Do (. "This needs a different curve." Redo (. "Can I use this new curve somewhere else?" Redo @. "Hmm." Do ©. Do ®. Do ™. Do “. "I can't make this so wide." Do ‘. "Definately cannot make it mono-space." Redo all punctuation to be their natural width. "This is no longer a mono-space font. Should I redo M m W w to be more natural?" Redo do m. "No this is too much work. I can't be bothered anymore. Let the m's and w's be."
"The punctuation looks niiice. Should I do a font to match these?"
Create New FontStruction
Boalt from GEOS FontPack 1 on the Commodore 64.
Apparently Boalt was so popular that it was included in FontPack PLUS too. Personally, I didn't care much for Boalt. It's heavy, wide, big serifs - not my kind of thing. But without much else to create, and wanting to keep in the Fontstruct game, here it is. Rescuing these fonts from obscurity is the main prize!
Unkerned, and no extra characters other than what the original had.