Twin of zlowler with some piercings added.

A non standard stencil/piano-like font, using an experimental "guides + nudging" kerning process and a lot of smooth curvy shapes. Some soft alternates (for A, W, w, X, x, Y and y) are in the ligatures area at the More Latin section.

Work in progress.

Unicase font inspired by Block02, the only FS published by the interesting Mexican type designer Manolo Guerrero from BlueTypo. I've put some "soft" alternatives -a, e, f, i, m, n, q, w- in the lowercase (I've taken also more creative freedom than the original font, which used a limited set of bricks). Enjoy.

An old project put a day, inspired by four's Boxthorn and some others.

All begins with the o...

Based on the TekWar logo. The letters (minus Q/X/Y) are recreated from the TV series titles, the rest are my additions.

Consequences of the FutureComp brainstorm. Based -in a certain way- on one early version of Inside by Dmitriy Sychiov.

What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.

Stay tuned to this space; on Sunday 5/xx/20 I will describe this highly useful hack and fully document the technique.

Upgrade your gray matter cuz one day it may matter.

My submission for the Futuristic Compitition (2020).

Enjoy*

This is a military-style stencil font inspired by the original Stencil-Gothic face (by John West c. 1885), Ironmonger (by John Downer, 1991-93), and Pediker (by Kazimir Samoscanec, 2013). The latter one is a revival of a stencil face of unknown origin. Sorry for the dystopian future. I hope it will never happen.

Do sheeps dreams of electric androids? Ask about everything. Our Future begins in... 3... 2... 1... NOW!

Strange font: every glyph has itself within... And it works!

A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

stencil.

Pempo reads as Retro from Russian (or any other language that uses Cyrillic script). Get the full font from MyFonts.

The new "pie" brick tested out. WIP.

An older, previously unpublished fs, modified to try out the new arc bricks.

Couldn't resist but to try out the new half arc bricks. A WIP.

This font has a rectangle when it is surrounded by three or more sides.

Work-in-Progress …

Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.