9129525
Published: 9th October, 2010
Last edited: 24th September, 2010
Created: 17th September, 2010
I was about to publish this as a candidate for HMC, but I didn't do it. Why? Problems with "hand made" sample and frustration after all. Basically that was the reason. I cut out some of the letters (a phrase: "Working hard") with a knife in a bunch of different materials like cloth, paper, leather, plastic, even in sliced cheese, everything on a contour... And I lost the outcomes :|. I don't know where I put them. Yeah, I lost them about 2 days ago, I could make another cut-out letters, but those were perfect, I was so happy with them, but I had no afflation to make new ones. When I'll find them I'll show them up here.
The "N" made from cheese was lying in the fridge so far (for an obvious reason)... I was really hungry, and a sandwich without cheese is no more a sandwich.
It looks too "techno-ish" to be published without a photograph of the font in a real life.
168264
Published: 1st March, 2010
Last edited: 1st March, 2010
Created: 1st March, 2010
what if my earlier s-video font actually had the distortions that s-video has?
4132627355
Published: 18th February, 2010
Last edited: 25th June, 2019
Created: 24th January, 2010
something i've been working on recently. i'm still looking for a solution to virtually increase my screen resolution, so i would have more grid space. i don't know if the line strength is consistent and i propably won't start with the capital letters until then. anyway i thought i might as well throw this in to see what you guys think about it so far.
721452217
Published: 16th February, 2010
Last edited: 16th March, 2010
Created: 14th February, 2010
I began this fontstruction as a challenge to create a seriffed pixel font with grid characteristics similar to iSlab’s 8 pt setting (bearing an x-height of four pixels). This inspiration began with similar shapes and roots as its predecessor, but evolved from there once it quickly became clear that those shapes really could not be reproduced with strict pixels.
Then I went on a bender creating the katakana and hiragana character set.
Then I went crazy with filters and single brick substitution.
1331410341
Published: 31st January, 2010
Last edited: 22nd February, 2010
Created: 29th January, 2010
The letter forms are based on solid square, where each letter form is created by removing only what is necessary to identify the letter and retaining consistency between the other letterforms.
26277856689
Published: 6th November, 2009
Last edited: 4th January, 2010
Created: 29th October, 2009
I produced this for my "communicating with words" first year module on the BA(Hons) Graphic Design course at UWE Bristol, England. It pays homage to Ralph Steadman and is a true testament to what you can do on fontstruct, if you’re willing to spend a week in front of a computer in your underpants.
Recently reviewed on P.C World Downloads
www.laurieguy.co.uk
1981394
Published: 23rd October, 2009
Last edited: 31st October, 2009
Created: 12th October, 2009
I have used different alternates to make the upper case and lower case logical and as much alike as possible. Much inspired by Greek and Celtic, and i think it gives it an elvish look, and since it is a pixel font, i called it pixies.
71954171177
Published: 1st September, 2009
Last edited: 9th September, 2009
Created: 13th July, 2009
Hunstrüct is my first attempt at designing a contemporary blackletter typeface within Fontstruct. The typeface draws inspiration from the long tradition of German Fraktur styled blackletters. The name Hunstrück is taken from a mountain range in Germany called the Hunsrück. Primarily I was aiming to build a face that would work well as a display type for gig posters and larger headlines but as I reworked the typeface I tried to strike a balance between text and display.
Big thanks goes to djnippa for his hard work in spacing this font properly.