Here is my version of a serif Eriseci alphabet. It is the same format as the previous Eriseci font which this was cloned from, so for use of this font please referrence that one. I hope you enjoy :D
This is a clone of Eriseci AlphabetHere is my first conscript font on Fontstruct. Alphabet 1 is an alphabet I created from various inspirations to function for most European languages using the Latin alphabet. This is not however the first alphabet I have created in general. I hope you enjoy the alphabet.
I got this crazy idea that I wanted to create a script that looked like it had been created by tiny pastel horses (you're allowed to laugh). My inspiration comes from the Burmese script and a few other closely related ones that all kind of look like hoof prints stringed together at different angles.
There was just one problem: FontStruct doesn't do these circular letters. So I used FontStruct to create a prototype with mostly 5×5 and 7×5 letters to make the most out of the rounded corners.
Once satisfied I set out to find a bunch of tools to create "real" fonts. Inkscape and Fontforge looked like the perfect combination for a cheapskate like me. Designing the letters in Inkscape was easy since they consist of a few standard elements combined at different angles. These elements in turn mostly consist of circle sectors merged together. Fontforge on the other hand is a constant source of frustration. The constant crashes are the least of my problems. Paths that are imported will contain several errors that need to be fixed and however hard I try I can't seem to adjust widths and bearings in a way that makes sense.
Currently the script takes about 90% of its letters straight from Burmese while the vowels are more closely inspired by Shan. The script is used to write English phonetically and works as a not-really-an-abugida. There's no inherent vowel and it thus works more like Tolkien's Tengwar. Initial consonants are written as conjuncts while final consonants are mostly written as a linear sequence. The twelve vowels of RP have been merged into ten. There are two sets of vowel diacritics: the regular ones based on Shan and the overly cutesy ones consisting of hearts, gems and celestial bodies.
Todo: Thicker letters. Larger diacritics and increased distance. My own set of letters using the same basic components – possibly featural but probably not. Proper metrics. Kerning. Ligatures. Learn AAT and/or Graphite.
Elae (Ayl-ah-ay) is a test font for a commission for a friend. It was easier to play with the shapes and finalize them a little on fontstruct before I switched to Illustrator and FontLab. It lacks a lot of characters as the commission only called for basics. The vowels are set up to function as diacritics with the capital vowels being used for standalone, initial, and multiple vowel sequences. i.e.; font = font, rogue = rogUe, edict = Edict, acoustic = AcOustic. Sample text looks best at pixel. New characters may be added by request.
Liyahu is a constructed language created by Xay Voong during the development of a role-playing video game. The core concepts are based on the trinity entities mind, body, and soul. The philosophy is elemental, rational, metaphysical, semantical, structural, straightforward, compact, and concise. Full description of the language and script can be found at http://shenafu.com/smf/index.php?topic=94.0 This font not really meant to type English, although it's not prohibited. Since the Liyahu alphabet has 36 letters, this font uses all 26 lowercase and 10 uppercase letters. It also contains all 10 digits, space, comma, and period. The percent sign shows the official Liyahu logo, with all trinity symbols in their proper places: mind at top, body at left, and soul at right.
Espaniranto is a transitional "lost link" conscript between Latin and the "future" Desertborn Language conscripts like "Wadi Emet" and "Seeq Antique" from the planet Araxes at the Mu Draconis System http://slurl.com/secondlife/Splintered%20Rock/55/4/55 (A Second Life Sci-Fi RPG sim/server cluster ). It covers most of the basic latin script(english), some extended glyphs to write Esperanto(ĉ, ĝ, ĥ, ĵ, ŝ, ŭ) and Spanish(ñ) but without accents and with basic limited extra glyph support besides the alphabet. In accordance with Desertborn scholar Taquis Samiirah Sorciere from House Morloch, Desertborn culture has it's roots mostly out from earth-that-was Berber culture, so maybe the Desertborn scripts evolved through millennia from a common branch of pidgin alphabets of hybridized Latin, Tifinagh scripts, Berber Latin, and unknown space-farer scripts resembling the one at the "Singapore Stone". Espaniranto is highly regarded as the possible common Latin script ancestor. The numerals are binary coded glyphs and naturaly suitable to be used in base-12(ø being number 10 and Ø being 11). Yet is highly compatible with the common base-10 numeral system in the Empire. Desertborn culture is highly regarded as possessing superior engineering and for their creative technological solutions in contrast to the common starborn ways. Some other odd influences notorious in Espaniranto are: -It's peculiar punctuation that somehow resemble the Himalayan conventions of Tibeto-burmese or mongolian scripts like phagspa, uchen/umê, and newa scripts. -It's "unicase" nature as in such scripts. A more solid link to the eurasian plateaus mysticism had been provided in the only especimen of Espaniranto writing being a XXIII'rd century treatise/manual on mysticism, the so called Lagrangian-Point Dzogchen-Zen-Sufi codex, a specimen with plenty of common mystic terminology between Persiand and Tibetan plateaus mysticism, but fully wrote in Classical Zamenhof's Esperanto. The lack of any ascender and descender in the Espaniranto script and it's awful readability supports the idea of it being mostly a religious script in opposition to daily use. [[--MKN(while at a long absence from that sandy planet my home)]]
This is a clone