561196
Published: 18th October, 2013
Last edited: 24th October, 2013
Created: 17th October, 2013
The second installment of EstaSE.
Haven't finished the More Latin
6468628
Published: 4th January, 2015
Last edited: 14th June, 2015
Created: 4th January, 2015
i tried to make a font using only 3 predetermined shapesThis is a clone
114762
Published: 2nd July, 2013
Last edited: 2nd July, 2013
Created: 5th April, 2013
The idea behind this font is that every character is made from a combination of 6 different line segments, sort of like Braille but with lines instead of dots. Once you get used to reading and writing in it, I think it's really fun to use because the text looks rigid and orderly. Plus, it's a good font to use for carving text because curves are more difficult to carve than straight lines.
3835410
Published: 27th August, 2010
Last edited: 27th August, 2010
Created: 25th August, 2010
This font shows an example of the letterforms created with the new Arc brick with the advanced filter settings at 2:2.
The 2:2 setting enlarges each brick twice the size on the horizontal and vertical axes. About 90% of everything I work on uses the advanced filter settings. This enables two important things:
1. Half-brick positioning
2. Brick overlapping.
The Arc Brick 1:1 Sample Font works with the default filter setting. When switching filters from 1:1 to 2:2, you have four times as many brick placement options. The main thing to deal with in working with bricks using the 2:2 filter is to remember that each brick needs to be handled on the lower left. Since every brick now spans two grid spaces horizontally and vertically in a square, you will need to click and drag bricks from the lower left corner. This can get really confusing with multiple overlapping bricks.
The brick placement on this font is designed to maximize efficiency, minimizing overlaps to connect each brick cleanly. WIP. Upper and lowercase for now.
Please clone and check it out for details. If you have a question, just ask. =)
7621225
Published: 13th April, 2011
Last edited: 15th May, 2011
Created: 13th April, 2011
A LCD font based on
http://shop.tuxgraphics.org/electronic/tuxgr_blue16x2_charset.png
111825
Published: 19th May, 2012
Last edited: 19th May, 2012
Created: 18th May, 2012
W.I.P: Sans-serif Runic Alphabet. My first real attempt at upper AND lower case. The ampersand is a creation of my own (derived from letters U N T). It is in this font that I have pretty much nailed the glyph shapes (I've been evolving them steadily for over a year now). It may appear that I ditched the question and exclamation marks I devised, although this is just a happy coincidence (I reduced them from bindrunes originally - using conventions seen in the evolution of typography). Enough waffle. Enjoy the font ;) thanks x
180645
Published: 26th November, 2011
Last edited: 4th May, 2012
Created: 23rd November, 2011
A work in progress. I'm not completely satisfied with some of letters. Suggestions would be helpful, thanks.
350668
Published: 27th August, 2010
Last edited: 3rd September, 2010
Created: 25th August, 2010
This font shows an example of the letterforms created with the new Arc brick with the default 1:1 filter settings.
The design decisions become limited by the inability for the arcs to connect to form the letter S in particular. The upper and lower S's here show some options to work within the limitation. WIP. Upper and lowercase for now.
The proper connections can only be created with the advanced filter settings set to 2:2 for both the horizontal and vertical axes. The Arc Brick 2:2 Sample Font shows more options in brick placement that alleviate some of the limitations found in the 1:1 filter space.
Please clone and check it out for details. If you have a question, just ask. =)