8491899122
Published: 18th April, 2024
Last edited: 16th January, 2011
Created: 5th December, 2010
Clone of Alex Murphy Outline. Inspired by the RoboCop movie logos -- Gradient Version. For Outline Version, see the "Alex Murphy Outline" font; for Solid Version, see the "Alex Murphy Solid" font; for dingbats of OCP logos, see the "Alex Murphy Dings" font. Type "RoboCop" into the View-User Input option to try it out!This is a clone of Alex Murphy Outline
1471010163
Published: 16th May, 2010
Last edited: 16th May, 2010
Created: 15th October, 2008
Amplifica. Derived from the Latin verbal definition of amplify, meaning to enlarge, make greater, or stronger. An older fontstruction revised with new curves and angles to withstand scaling and scrutiny at larger sizes. No polygonal simulated bezier curves needed. So yeah. Go ahead and scale it as large as you want. I dare you. I double dog dare you.
051510
1082321119
Published: 20th March, 2011
Last edited: 10th May, 2011
Created: 12th March, 2011
Clone of Eenvoudige Batik .This is a clone of Eenvoudige Batik
376117816
Published: 3rd March, 2012
Last edited: 25th March, 2012
Created: 27th May, 2010
Hey FontStruct! Long time no see! :)
This is what one would unfortunately have to call a lukewarm comeback. It's been almost 2 years since my last release, and what I come back with is a not overly creative design with an uncomplete character set and an unsatisfying name. But this has been collecting dust for too long in my unreleased fonts collection, and I sort of like the uppercase... So I thought maybe someone else does, too.
Western european diacritics and more punctuation marks will hopefully come soon, so don't download yet.
271434212
Published: 31st March, 2013
Last edited: 9th November, 2013
Created: 30th March, 2013
A sans-serif pixelated font. Made for April Fools' Day. :)
350668
Published: 27th August, 2010
Last edited: 3rd September, 2010
Created: 25th August, 2010
This font shows an example of the letterforms created with the new Arc brick with the default 1:1 filter settings.
The design decisions become limited by the inability for the arcs to connect to form the letter S in particular. The upper and lower S's here show some options to work within the limitation. WIP. Upper and lowercase for now.
The proper connections can only be created with the advanced filter settings set to 2:2 for both the horizontal and vertical axes. The Arc Brick 2:2 Sample Font shows more options in brick placement that alleviate some of the limitations found in the 1:1 filter space.
Please clone and check it out for details. If you have a question, just ask. =)
3835410
Published: 27th August, 2010
Last edited: 27th August, 2010
Created: 25th August, 2010
This font shows an example of the letterforms created with the new Arc brick with the advanced filter settings at 2:2.
The 2:2 setting enlarges each brick twice the size on the horizontal and vertical axes. About 90% of everything I work on uses the advanced filter settings. This enables two important things:
1. Half-brick positioning
2. Brick overlapping.
The Arc Brick 1:1 Sample Font works with the default filter setting. When switching filters from 1:1 to 2:2, you have four times as many brick placement options. The main thing to deal with in working with bricks using the 2:2 filter is to remember that each brick needs to be handled on the lower left. Since every brick now spans two grid spaces horizontally and vertically in a square, you will need to click and drag bricks from the lower left corner. This can get really confusing with multiple overlapping bricks.
The brick placement on this font is designed to maximize efficiency, minimizing overlaps to connect each brick cleanly. WIP. Upper and lowercase for now.
Please clone and check it out for details. If you have a question, just ask. =)
256206099
Published: 5th June, 2010
Last edited: 5th June, 2010
Created: 21st May, 2010
No reference used at all. This is me drawing Paul Renner's original Futura from memory, without intending to. Actually, I was going for something more Avante Garde. It all started with the O and developed from there. The hardest letter = S. It was a real pain in the S. It was interesting afterward to compare the letters to Futura after finishing the caps.
Futura - It was like the Helvetica of 1928.
Bezziaire is an early experimental simulation of Bezier curves with FS2.0. Zooming 30% and below renders best results.
Horizontal optical compensation added for the circular glyphs, as well as baseline overshoots.
060510
Oh yeah, this also has preliminary involvement with shasta's circle competition, which is seriously humbled by his Circle Cult.
114762
Published: 2nd July, 2013
Last edited: 2nd July, 2013
Created: 5th April, 2013
The idea behind this font is that every character is made from a combination of 6 different line segments, sort of like Braille but with lines instead of dots. Once you get used to reading and writing in it, I think it's really fun to use because the text looks rigid and orderly. Plus, it's a good font to use for carving text because curves are more difficult to carve than straight lines.
12523036
Published: 13th July, 2013
Last edited: 14th July, 2013
Created: 12th July, 2013
Clone of db Etroite Bd with many changes. Sans Serif, Decorative, crude, square, Heads, Poster, db This is a clone
308162787
Published: 8th November, 2009
Last edited: 9th November, 2009
Created: 20th October, 2009
I began by exploring the theme of decaying objects, such as fruit, and studied the shape (and change of shape) of the objects, as they progressively fell apart. By creating hand drawn sketches i began to create a typeface that looked as though it was rotting/melting away. I used a traditional typeface, Times New Roman, that could be considered as quite boring and a font which has been around for a long time and then used it as a base font which i then made to look as though it was rotting and falling apart by refering back to my earlier sketches. Overall I aimed to create a typeface that represents the decay of an older, more traditional and perhaps overused typeface.
93117735
Published: 6th March, 2012
Last edited: 16th March, 2012
Created: 5th March, 2012
Inspired with neurone's font "AFT64 The Orgians" although it doesn't have any identical shapes or styles...
This is still incomplete. I'm going to finish it soon...
561196
Published: 18th October, 2013
Last edited: 24th October, 2013
Created: 17th October, 2013
The second installment of EstaSE.
Haven't finished the More Latin
1143410732
Published: 14th December, 2010
Last edited: 7th December, 2021
Created: 3rd November, 2010
2 x 2 filter with lots of compositing and stacking.
761132811
Published: 8th July, 2009
Last edited: 7th December, 2009
Created: 24th May, 2009
slab serif version of Exempla Sans Strict... Not so sure about the the capital A yet, any suggestions are welcome!
Hope you like it!This is a clone of Exempla Sans Medium
1231314027
Published: 23rd November, 2011
Last edited: 23rd November, 2011
Created: 9th April, 2011
An Art-Deco-inspired fontstruction I created in April. Not sure why I never published it, but here it is!
EDIT: Three seconds after hitting "Save Changes" I thought of the perfect name for this one. I've updated the name.
There's also an alternate 'a' and 'g' available in the IPA area.
5931163139
Published: 28th March, 2011
Last edited: 12th June, 2011
Created: 27th March, 2011
Another 'cut-out pattern font' not completely happy with it yet though
6468628
Published: 4th January, 2015
Last edited: 14th June, 2015
Created: 4th January, 2015
i tried to make a font using only 3 predetermined shapesThis is a clone