55622113
Published: 6th January, 2011
Last edited: 5th January, 2011
Created: 25th August, 2010
An on-going project. More glyphs will be added periodically.
9661417263
Published: 10th August, 2008
Last edited: 24th June, 2009
Created: 10th August, 2008
this electricity
injected into me
emotions running over me
and when you're getting close
you touch my innermost
a feeling deep inside me knows
—"circuit breaker", röyksopp
2701033
Published: 3rd May, 2008
Last edited: 25th February, 2009
Created: 3rd May, 2008
An unfinished font...I`ll be working on it for the next 6 weeks...Enjoy & comment! And don`t forget to check my other FontStructed original fonts! :)
Contact me at: http://sahwar.deviantART.com
EDIT: Kerning should now be better!
6998316
Published: 29th August, 2009
Last edited: 29th August, 2009
Created: 27th January, 2009
For use at pixel level. Also works at 32pt×x, where x=1,2,4,8,etc. ----- This font has been a long time in the making. The dots are such that the curved shapes and squared-off letters just would not resolve to an equal height no matter what I tried. Then after the mixed x-height that came about in yesterday's la Cross, it occurred to me to just let the letters be as tall as they wanted to be. It seems to work for some odd reason. Can someone please explain why it works?This is a clone
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
130522
Published: 6th May, 2008
Last edited: 6th May, 2008
Created: 6th May, 2008
An early attempt to understand and get used to the interface. Set on a pixel grid but not really worked upon much for perfect appearance. Feel free to edit...