A clone from Curveous from my past self, an extended remaster, a “better” version, that had 1337 characters in release date.
Maybe a self-referential font, if you will. – NCB
——— Glyphs ———
WIP: Unified Canadian Aboriginal Syllabics, Tengwar (CSUR)
Latest addition: Block Elements
——— Milestones ———
2000 characters: 11/16/2025 (multiple of 1000)
2337 characters: 01/09/2026 (1000 more than release date!)
2500 characters: 01/24/2026 (multiple of 500)
2674 characters: 02/17/2026 (double of release date!)
2750 characters: 03/02/2026 (multiple of 250)
3000 characters: ??/??/20?? (multiple of 1000)
Days are determined at the UTC-3 time zone and are notated as in MM/DD/YYYY.
@RetSamys: Problem fixed.
This is a clone of CurveousA license plate-like font that is aesthetically pleasing to the Fontstruct Community, and, to be honest, I did my best in the & sign that is really hard to design (at lest for me)!
I really hope that, by 2027, Curveous and its variations will make a Unicode-supported typeface family.
Private use character list
218C: Argam Digit Zen
218D: Argam Digit Thise
218E: Argam Digit Alternative Zeff
218F: Argam Digit Trick
E000: Oldstyle Digit Zero
E001: Oldstyle Digit One
E002: Oldstyle Digit Two
E003: Oldstyle Digit Three
E004: Oldstyle Digit Four
E005: Oldstyle Digit Five
E006: Oldstyle Digit Six
E007: Oldstyle Digit Seven
E008: Oldstyle Digit Eight
E009: Oldstyle Digit Nine
E00A: Oldstyle Duodecimal Digit Turned Two
E00B: Oldstyle Duodecimal Digit Turned Three
E00C: Oldstyle Argam Digit Zen
E00D: Oldstyle Argam Digit Thise
E00E: Oldstyle Argam Digit Alternative Zeff
E00F: Oldstyle Argam Digit Trick
A winning, small-matrix rendition of this super-elliptical monoline sans. If you’d like, please enjoy a private clone to tour the brand-spankin’ new interiors.
I embraced innovation at the expense of imperfection with faux-curve composite stacks. These custom bricks are used to resolve the most glaring proportion issues besetting version 1 (and 2’s) capitals. I risk intermittent aliasing as well as potential inconsistencies in both curvature and stroke contrast. Yet these composite-stack discontinuities (A,C,D,G,J,O,Q,S,U,V) marry unexpectedly well with the extensively used macaroni bricks and remain themselves smooth up to an impressive 72pt.
Manual kerning leaves a lot of room for improvement. The alternates are included mostly for curiosity’s sake. Another work in progress with samples to follow. Feedback is always very appreciated; thanks in advance for it! :)
This is a clone