100113326
Published: 3rd November, 2009
Last edited: 19th September, 2012
Created: 5th October, 2009
Frakture was a project for a typography class. The intention was to create a medium blackletter typeface that can be use for display. A lot of work is left to be done.This is a clone
6483313
Published: 3rd July, 2009
Last edited: 2nd July, 2009
Created: 2nd July, 2009
This is a derivative work of Elspeth LC. Filter: both horizontal and vertical brick size are set to 0.5.
Recommended font sizes: 24, 48, 72, 96, 144, 192, 240. Other sizes result in different moiré patterns as
the bricks partially overlap the screen pixels. Kerning is not perfect, some minor ovelapping may occur. This is a clone of Elspeth
130330
Published: 16th June, 2009
Last edited: 19th June, 2009
Created: 16th June, 2009
Simple Russian Font, No designs. For users with Basic Latin Kayboards.
120331
Published: 1st June, 2009
Last edited: 18th June, 2009
Created: 1st June, 2009
This is the font we use at "La Festa" a drums and brasses band from Catalonia. We use it as tabs.
It's mapped like if the keyboard is a piano keyboard, low scale begins in q and high in z.
812331
Published: 16th April, 2009
Last edited: 21st April, 2009
Created: 15th April, 2009
This is the starting point for a project I'm running here on Fontstruct about collective development within type design. It is a part of my thesis project at Beckmans College of Design in Stockholm, Sweden.
I am interested in trying to push Fontstruct's limitations and try to make the "best" font possible due to readability. I am producing a catalogue about Open Source thinking whitin design. I want this catalogue to use this typeface for all the text. Since Fontstruct has the possibility to "Clone" typefaces it would be a good place to collectively try to develope a typeface. And since Fontstruct has an Open Source approach it would be a good platform to try out an experiment like this!
You are welcome to join the project by cloning these sketches or make a new font. The goal is to make a typeface that will work good in longer texts. Name your submission "Open Text" and add your name or anything after to keep track of the different fonts in the project. Use the clone feature to develope other submissions to make this a collective thing! Publish your work even though it isn't a complete font set. Other people might get ideas from your work that will gain the quality of the project!
I have posted invitations to join this project at different forums/blogs. Read the invitation here: www.selectedworks.se/opentext
If you have any questions, please contact me at: aronkullander@gmail.com
Hope you will join the project!
Regards,
Aron KullanderThis is a clone
4723311
Published: 24th July, 2010
Last edited: 24th July, 2010
Created: 7th April, 2009
Triline + Relief = Trelief.
This one was just waiting for a 2.0 update. Originally worked out in April of last year, synchronously with minimum's fs m.ove.r series, and Lex Kominek's Chocobot Stacked series of tri-line fontstructions.
I was unsatisfied with the limited 1.0 curvatures in Trelief, so this was left unreleased. The Trelief series has recently been updated with additional FS2.0 composites for a smoother appearance.
The rounded version of Trelief, which actually came first, includes further smoothness, rounding out each hard edged corner. This is a clone of Trelief Rounded
15273342
Published: 24th July, 2010
Last edited: 24th July, 2010
Created: 5th March, 2009
Triline + Relief = Trelief.
This one was just waiting for a 2.0 update. Originally worked out in March of last year, synchronously with minimum's fs m.ove.r series, and Lex Kominek's Chocobot Stacked series of tri-line fontstructions.
I was unsatisfied with the limited 1.0 curvatures in Trelief, so this was left unreleased. The Trelief series has recently been updated with additional FS2.0 composites for a smoother appearance.
The hard edged version of Trelief came easily afterward.
072310This is a clone
830143394
Published: 24th November, 2008
Last edited: 22nd June, 2009
Created: 7th November, 2008
OSSICLES are the three most delicates bones in your body: waves of matter of different densities make them vibrate creating what we know as sound. This is the visual alphabet of sound waves.