gently calligraphic latin with a chinese touch
separated from the main font so that i can keep using global fixed width
also so that i can focus, and also i fear that the vibes don't 100% jive with the hanzi
This is a clone of fs biənsujimitation song-ish, hopefully with early 1900s century rough vibes, and not early 2000s century sanitized vibes
not usable as a real font, for obvious reasons. i do not plan to make this remotely usable, ever, for obvious reasons. not a serious entry, because of the above problems. just a smart-ass interpretation of 'twenties' (early 20th century / 1920)
The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)
This is a cloneA Revision of @Umbreon126's "fs old-ish"
This is a clone of fs old-ish