1:zh 2:: 3:ee 4:sh 5:th 6:ue 7:; 8:ie 9:ooe -:oo ^:ah
q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:ae [:aw
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:oe ::oy ]:ow
z:z x:dh c:ch v:v b:b n:n m:m ,:, .:. /:! _:-
!:ZH “:" #:EE $:SH %:TH &:UE ‘:' (:IE ):OOE =:OO ~:AH
Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:AE {:AW
A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OE *:OY }:OW
Z:Z X:DH C:CH V:V B:B N:N M:M <:( >:) ?:?
1:zh 2:: 3:ee 4:sh 5:th 6:ue 7:; 8:ie 9:ooe -:oo ^:ah
q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:ae [:aw
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:oe ::oy ]:ow
z:z x:dh c:ch v:v b:b n:n m:m ,:, .:. /:! _:-
!:ZH “:" #:EE $:SH %:TH &:UE ‘:' (:IE ):OOE =:OO ~:AH
Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:AE {:AW
A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OE *:OY }:OW
Z:Z X:DH C:CH V:V B:B N:N M:M <:( >:) ?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:tone2 ^:-aue
q:qa w:nga e:-ee r:-e t:tha y:ya u:-u i:-i o:-oo p:pha @:-ue [:tone3
a:-aa s:sa d:ta f:fa g:ka h:ha j:-ai k:kha l:la ;:tone4 ::tone5 ]:tone6
z:ca x:xa c:cha v:va b:pa n:na m:ma ,:, .:. /:-o _:-eh
!:! ":” ':’ (:( ):)
?:?
font for the Quat language. note that:
the letter for /ɨ/ is mapped to the character Y
the letter for /j/ is mapped to the character J
the letter for /ʃ/ is mapped to the character H
the "number start" & "number end" symbols are mapped to [ and ] respectively
the letters can't connect; i don't want to manually draw out every syllable
The Namak script was originally derived from a logographic script and used for the language of Namariehak around 5000 years ago, but has since then spread and has become the most widely used script on Notasami. It is a bicameral, alphabetic script that uses a base-10 number system. This is a sans-serif, simple font along with the four Santieng diacritics.
The Namak script was originally derived from a logographic script and used for the language of Namariehak around 5000 years ago, but has since then spread and has become the most widely used script on Notasami. It is a bicameral, alphabetic script that uses a base-10 number system. This is a serifed version of the script resembling the original, traditional way of writing it, and includes the four Santieng diacritics.
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:ny
q:ng' w:w e:-e r:r t:t y:y u:-u i:-i o:-o p:p @:a [:e
a:-a s:s d:d f:f g:g h:h j:j k:k l:l ;:; ::: ]:i
z:z x:sh c:ch v:v b:b n:n m:m ,:, .:. /:u _:o
!:! ":" ':' (:( ):) ~:NY
Q:NG' W:W E:E R:R T:T Y:Y U:U I:I O:O P:P
A:A S:S D:D F:F G:G H:H J:J K:K L:L
Z:Z X:SH C:CH V:V B:B N:N M:M ?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:tx
q:ts w:rr e:e r:r t:t y:ll u:u i:i o:o p:p @:ü [:tt
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:; ::: ]:ñ
z:z x:x c:tz v:dd b:b n:n m:m ,:, .:. _:nasal vowel
!:! ":" ':' (:( ):) ~:TX |:NAZAL VOWEL
Q:TS W:RR E:E R:R T:T Y:LL U:U I:I O:O P:P `:Ü {:TT
A:A S:S D:D F:F G:G H:H J:J K:K L:L }:Ñ
Z:Z X:X C:TZ V:DD B:B N:N M:M ?:?
1:-üü 2:ü- 3:e- 4:-ee 5:u- 6:-uu 7:-ii 8:i- 9:-ö 0:o- -:'/ʺ ^:a-
q:ɢ w:-ü e:-e r:r t:t y:y/(V-)i u:-u i:-i o:-o p:p @:-aa [:(
a:-a s:s d:d f:f g:g h:kh j:j k:k l:l ;:ö- ::-oo ]:)
z:z x:sh c:ch v:v b:b n:n m:m ,:, .:. /:oo- _:-öö
!:! ":" &:uu (:ii- ):ö =:-
Q:aa- W:ü E:e R:r' T:t' Y:ii U:u I:i O:o P:p' `:aa {:öö
A:a S:ee- D:d' F:ee G:g' H:kh' J:uu- K:k' L:l' *:oo }:öö-
Z:-üü X:üü C:ts V:v' B:b' N:n' M:m' ?:?
http://66.media.tumblr.com/2b8428dcde5be0994bb662bf73b89481/tumblr_nuwgv5DhoK1s0g2deo1_1280.png For use.
This font was created for my roleplaying game. It is intended to be written in vertical columns with the hexagon starting a new paragraphm the large T-shapes start each new line, and the hooked bars are for adding extra information to words.
Evikræyl is the product of a sudden flash of inspiration combined with a love for calligraphy and the aggressive illumination look.
All the basic latin letters are available along with the numbers and a few punctuation marks.
Evikræyl means 'words that stay' in Kallin'Erillian the conlang this script will be used for.
Here is the second version of the Unlu script font.
This one has been called Unlu Light as it is significantly smaller than the original with cleaner lines and angles.
In addition to the Unlu v.1 letters and usage this version includes more punctuation and the numbers 0-9.
1:ees 2:es 3:iir 4:ir 5:ii 6:iii 7:Sh 8:in 9:iin 0:eee -:ee ^:eb
q:q w:ch e:e r:r t:t y:y u:u i:i o:o p:p @:eeb [:cPh
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:cKh ::cTh ]:cFh
z:z x:x c:c v:v b:b n:n m:m ,:, .:. /:qo _:^
!:! ":" ':' (:( ):) =:-
T:T Y:Y I:I O:O P:P
A:A S:S F:F H:H K:K
?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:-ā
q:q w:w e:-ī r:r t:t y:y u:-u i:-i o:-ū p:ʾ @:a [:th
a:-a s:s d:d f:f g:gh h:h j:j k:k l:l ;:; ::: ]:dh
z:z x:sh c:kh v:ʿ b:b n:n m:m ,:, .:. /:/ _:ḥ
!:! “:" ‘:' (:( ):)
W:ū E:-e R:o T:ṭ Y:ī U:u I:i O:-o P:p
A:ā S:ṣ D:ḍ G:g J:e L:ɫ
Z:ẓ C:ch V:v ?:?
My take on the Mongolian Horizontal Square script designed by Mongolian spiritual leader Zanabazar to write Mongolian, Tibetan and Sanskrit. It's based on the Tibetan script. The script consists mostly of straight lines and right angles and seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.
The script has been accepted by the Unicode Technical Committee for inclusion in a future version of the Unicode standard*. This font uses an ad-hoc mapping to Ascii characters: upper case for aspirated plosives, 'f' and 'q' for retroflex plosives and a lot of mappings that make even less sense as I started to run out of Latin letters. The mapping is based on Sanskrit and Tibetan; Mongolian uses some characters differently. However, the font does not do stacked consonants required by the two former.
The script is an abugida: the letter ‹a› is inherent in each consonant letter and the vowel is then modified using diacritics. Initial vowels are written with a special letter, mapped to 'A', that's wider than the rest and has its own set of diacritics, mapped to digits 0–9.
* http://www.unicode.org/L2/L2014/14024-zanabazar-square.pdf
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:e
q:qh w:w e:q' r:r t:th y:y u:-u i:-i o:q p:ph @:k' [:e-
a:-a s:s d:t f:p' g:k h:h j:ch k:kh l:l ;:; ::: ]:-e
z:ch' x:sh c:chh v:ll b:p n:n m:m ,:, .:. /:t' _:ñ
!:! ":" ':' (:( ):)
Q:a W:o T:ts U:u- I:i- O:-o
A:a- J:i L:o-
Z:z X:sh' C:tr' V:u ?:?
My take on the Mongolian 'Phags-pa script designed by the Tibetan monk Phagspa in 1269, based on the Tibetan script, to write Mongolian, Tibetan, Sanskrit and Chinese. This font is based on the Tibetan style which consists almost entirely of straight lines and right angles. It seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.
The script is written in vertical columns top-to-bottom and left-to-right and thus needs to be rotated 90° clockwise and the columns then reversed.
'Phags-pa was added to the Unicode standard in version 5.0 in 2006. This font however uses an ad-hoc mapping to Ascii characters which admittedly doesn't always make sense. I kind of gave up in the end and started assigning a bunch of letters to digits. Letters are connected into syllable block by a thin line (mapped to '-'), usually on the right-hand side. A straight line clashed wth the serifs so I made it into a small arch.
The script is an abugida: the vowel ‹a› is inherent in each syllable and thus not written.
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:◌́◌
q:j w:w e:-e r:r t:t' y:y u:-u i:-i o:-o p:p @:a [:◌'◌
a:-a s:s d:t f:p' g:k h:h j:ch k:k' l:l ;:; ::: ]:◌◌
z:tz x:x c:ch' v:tz' b:b n:n m:m ,:, .:. /:o _:'
!:! ":" ':' (:( ):)
E:e- Y:e U:u- I:i- O:o-
A:a- J:i
V:u ?:?
This is, in fact, a script for Morse code. Dots are like a cursive i, and dashes are above or below the line. Multiple dash letters P and J have doubled loops. Still a work in progress, numbers and punctuation to come.
This is a conlang font based on the SIGIL panel script which can be found on the Omniglot Website. Unlike the inspiration this font is alphabetical.
Note on the script: The script is formed from consonant-vowel pairs. If a pair cannot be made in the order consonant-vowel then an underscore [_] should be used for the consonant or a hyphen [-] for a vowel.
Another script for morse code. This one is closer to what I use when writing. Still struggling with multiple dashes in central or final positions, which leads to difficulty depicting numerals and punctuation... I'm playing around with other ways of showing this.
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:aa
q:cu w:u e:-e r:tl t:t y:y u:o- i:-i o:-o p:p @:a [:r
a:-a s:s d:a- f:e- g:i h:j j:i- k:k l:l ;:; ::: (voiced consonant)
z:ts x:x c:tx v:o b:e n:n m:m ,:, .:. _:oo
!:! ":" ':' (:( ):)
E:-ee R:ee Y:ii U:oo- I:-ii O:-oo
A:-aa D:aa- F:ee- J:ii-
?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:ō
q:a w:w e:-e r:e t:ū y:-ī u:-u i:-i o:-o p:p @:o [:(CV)-i
a:-a s:ē d:-ē f:-ū g:ī h:h j:i k:k l:l ;:; ::: ]:(V)-i
z:-ā x:ā c:’ v:u b:(CV)-u n:n m:m ,:, .:. /:(V)-u _:-ō
!:! ":" ':' (:( ):)
E:(CV)-e R:(V)-e O:(CV)-o
L:(V)-o
?:?
Glyphr is a combination of shapes, design and ideas which I have seen and love. The combination of then creates a very linear chicken scratch script.
Generally you should start every word with an uppercase in order to get the preparatory line, however, the script is equally effective without this.
This is a revision of the original Imrian script (my first fontstruct).
This revision has had some significant tweaks based on what I have learnt from my other designs.
The original script was laced with a strong botanical theme and draw from the Ogham language. All sentences should begin with a ( [open bracket] to create the root symbol. Words are then typed as in english using a - [hyphen] instead of a space. For example:
(The-quick-brown-fox-jumps-over-the-lazy-dog.
Enjoy!