This, as the name suggests, is a cubic version of the script helix. This variation removes all curved lines and approached the script with a box look rather than the traditional helix twist effect.
This has the same letter/punctuation as other helix variations.
Vykra is a conlang script based on the concept of a syllabic alphabet and inspired by plants.
The upper case is the plant body, while the lowercase is the root. As such it is necessary to write this script in alternating case (AlTeRnAtInG CaSe) so as to place an upper and lower case letter together.
The full stop symbol is used for words consisting of one letter to provide a root.
This is a conlang font based on the SIGIL panel script which can be found on the Omniglot Website. Unlike the inspiration this font is alphabetical.
Note on the script: The script is formed from consonant-vowel pairs. If a pair cannot be made in the order consonant-vowel then an underscore [_] should be used for the consonant or a hyphen [-] for a vowel.
http://66.media.tumblr.com/2b8428dcde5be0994bb662bf73b89481/tumblr_nuwgv5DhoK1s0g2deo1_1280.png For use.
This font was created for my roleplaying game. It is intended to be written in vertical columns with the hexagon starting a new paragraphm the large T-shapes start each new line, and the hooked bars are for adding extra information to words.
My take on the Mongolian Horizontal Square script designed by Mongolian spiritual leader Zanabazar to write Mongolian, Tibetan and Sanskrit. It's based on the Tibetan script. The script consists mostly of straight lines and right angles and seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.
The script has been accepted by the Unicode Technical Committee for inclusion in a future version of the Unicode standard*. This font uses an ad-hoc mapping to Ascii characters: upper case for aspirated plosives, 'f' and 'q' for retroflex plosives and a lot of mappings that make even less sense as I started to run out of Latin letters. The mapping is based on Sanskrit and Tibetan; Mongolian uses some characters differently. However, the font does not do stacked consonants required by the two former.
The script is an abugida: the letter ‹a› is inherent in each consonant letter and the vowel is then modified using diacritics. Initial vowels are written with a special letter, mapped to 'A', that's wider than the rest and has its own set of diacritics, mapped to digits 0–9.
* http://www.unicode.org/L2/L2014/14024-zanabazar-square.pdf
My second attempt at a font for the Marchen script, a Brahmic script used in the Tibetan Bon tradition to write the extinct Zhang-zhung language. It can also be used to write Tibetan. It supposedly originated in the Zhang-zhung kingdom prior to the introduction of Tibetan Buddhism in the 7th century, but no texts from that time using the script are known.
Marchen was added to the Unicode standard in version 9 released in June 2016. This font uses an ad-hoc ASCII mapping though. It doesn't handle stacked consonants which makes it rather useless. :P
This design uses the same rounded corners and serifs as my 'Phags-pa and Zanabazar Square fonts. The letters come in three widths. Combined with the medial 'y' there's a total of four widths that the vowel diacritics need to accommodate, which is a manageable number.
Light weight of Kaiski Akzidenz
This is a clone of Kaiski AkzidenzThis is, in fact, a script for Morse code. Dots are like a cursive i, and dashes are above or below the line. Multiple dash letters P and J have doubled loops. Still a work in progress, numbers and punctuation to come.
1:zh 2:ch 3:sh 4:(zh, ch, sh, r, z, c, s)-i 5:-ai 6:-i-(V) 7:-u-(V) 8:---ng 9:---n 0:-o -:-ei ^:--ê
q:q w:w e:-e r:r t:t y:y u:u i:i o:-o p:p @:--a [:-ou
a:-a s:s d:d f:f g:g h:h j:j k:k l:l ;:-ng ::-n ]:-ao
z:z x:x c:c v:ü b:b n:n m:m ,:, .:. /:! _:yu-
!:tone1 ":tone2 #:tone3 $:tone4 %:-ai &:-i ':-u (:-ng ):-n =:--ei ~:-ê |:'
Q:ai W:wu E:e R:-r T:--r Y:yi U:-ü-(V) O:o `:、 {:--ou
A:a D:ei F:-e G:---r H:ê L:ou +:; *:: }:--ao
Z:ao V:yu B:----r <:( >:) ?:?
1:-ng 2:-ă 3:-e 4:tr 5:-t 6:-iê 7:-u/o 8:th 9:-n 0:-c -:-ươ ^:-ô
q:ng/ngh- w:-â e:-ê r:r t:t- y:-ư u:u/o- i:i/y- o:-o p:-p @:-ơ [:-ô(-c/ng)
a:-a s:x d:đ f:ph g:g/gh h:h- j:-i/y k:c/k/q- l:l- ;:-o(-c/ng) ::kh ]:nh-
z:d x:s c:ch- v:v b:b n:n- m:m- ,:, .:. /:! _:-m
!:ă ":--ă #:--e %:- $:e &:--iê ':' (:( ):) =:ưa ~:ô |:ia/ya
Q:a W:--â E:--ê R:ê T:ê(-ch/nh) Y:ư U:u I:--i/y O:o P:p- `:--ơ {:ô(-c/ng)
A:--a S:â D:a(-ch/nh) F:-a(-ch/nh) G:-ê(-ch/nh) H:--ê(-ch/nh) J:i/y K:ua L:-uô +:o(-c/ng) *:ơ }:-nh
Z:gi- C:-ch V:--a(-ch/nh) B:◌̀ N:◌̉ M:◌̃ <:◌́ >:़ ?:?
1:-üü 2:ü- 3:e- 4:-ee 5:u- 6:-uu 7:-ii 8:i- 9:-ö 0:o- -:'/ʺ ^:a-
q:ɢ w:-ü e:-e r:r t:t y:y/(V-)i u:-u i:-i o:-o p:p @:-aa [:(
a:-a s:s d:d f:f g:g h:kh j:j k:k l:l ;:ö- ::-oo ]:)
z:z x:sh c:ch v:v b:b n:n m:m ,:, .:. /:oo- _:-öö
!:! ":" &:uu (:ii- ):ö =:-
Q:aa- W:ü E:e R:r' T:t' Y:ii U:u I:i O:o P:p' `:aa {:öö
A:a S:ee- D:d' F:ee G:g' H:kh' J:uu- K:k' L:l' *:oo }:öö-
Z:-üü X:üü C:ts V:v' B:b' N:n' M:m' ?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:tx
q:ts w:rr e:e r:r t:t y:ll u:u i:i o:o p:p @:ü [:tt
a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:; ::: ]:ñ
z:z x:x c:tz v:dd b:b n:n m:m ,:, .:. _:nasal vowel
!:! ":" ':' (:( ):) ~:TX |:NAZAL VOWEL
Q:TS W:RR E:E R:R T:T Y:LL U:U I:I O:O P:P `:Ü {:TT
A:A S:S D:D F:F G:G H:H J:J K:K L:L }:Ñ
Z:Z X:X C:TZ V:DD B:B N:N M:M ?:?
1:1 2:2 3:3 4:4 5:5 6:6 7:7 8:8 9:9 0:0 -:- ^:-ai
q:kho w:wo e:-e r:ro t:to y:yo u:-u i:-i o:-o p:po @:-aa [:tho
a:-a s:so d:do f:fo g:ngo h:ho j:co k:ko l:lo ;:; ::: ]:tho
z:tho x:so c:cho v:-ue b:bo n:no m:mo ,:, .:. /:shorten vowel _:tho
!:! ":" #:abbr. $:฿ %:ru &:redupl. ':' (:( ):) =:(ru/lu)-u ~:-ai |:lu
Q:kho W:kho E:-ae R:tho T:to Y:yo U:-uu I:-ii O:-aw P:pho `:pho {:silent
A:-a S:so D:do F:fo G:kho H:ho J:cho K:kho L:lo +:tone 4 *:tone 3 }:silent vowel
Z:tho X:so C:cho V:-eu B:pho N:no M:-am <:tone 2 >:tone 1 ?:?
Marchen is a Brahmic script used in the Tibetan Bon tradition to write the extinct Zhang-zhung language. It can also be used to write Tibetan. It supposedly originated in the Zhang-zhung kingdom prior to the introduction of Tibetan Buddhism in the 7th century, but no texts from that time using the script are known.
Marchen was added to the Unicode standard in version 9 released in June 2016. This font is modelled very closely on the example characters in the Unicode chart which were designed (I think) by Andrew West. Like my other fonts it's not a Unicode font though but uses an ad-hoc ASCII mapping. Marchen, like the Tibetan script, relies heavily on vertically stacked consonants. I could in theory create precomposed compound characters for the most common stacks, but managing that with an ad-hoc encoding would be a nightmare. This makes the font rather useless. :P
My second biggest problem was that I wanted the vowel diacritics to be the same width as the base letters. These come in four widths. Add the medial 'y' which attaches to the right side of a letter and it turns into a huge mess. I solved this by creating extra "bars" that can be used to extend the diacritics.
My take on the Tai Le/Tai Nüa/Dehong Dai script which is used mainly in the Dehong region in southwest China. The relative blockiness of the letters made it a prime candidate for a FontStruct treatment.
Tai Le was added to the Unicode standard in version 4.0 in 2003. This font however uses an ad-hoc mapping to Ascii characters. Thanks to the limited number of letters (for a Brahmic script) the mapping mostly makes sense. Aspirated plosives are mapped to upper case and tone markers to shift+digit. The latter have been mapped so that they work on both US and Swedish Mac keyboards (and hopefully many others). Luckily there were no conflict between the two.
The script is an abugida: a syllable-initial consonant letter has an inherent vowel ‹a›. Whether a consonant is initial or final has to be inferred from context, however only ‹p›, ‹t›, ‹k›, ‹m›, ‹n› and ‹ng› can appear in final position.
(The letter pair ‹tone 2› + ‹ka› could really use some kerning.)
Eshaa, the talon language, is conlang formed of sharp points and flowing lines.
This contsins captial, lower case, comma and full stop only.
Each word in the sentence should begin with a capital letter to get the full aesthetic effect.
This is a revision of the original Imrian script (my first fontstruct).
This revision has had some significant tweaks based on what I have learnt from my other designs.
The original script was laced with a strong botanical theme and draw from the Ogham language. All sentences should begin with a ( [open bracket] to create the root symbol. Words are then typed as in english using a - [hyphen] instead of a space. For example:
(The-quick-brown-fox-jumps-over-the-lazy-dog.
Enjoy!
Matriarc is a linear script of flowing lines orditing central circles. This is used as a standard alphabet with the upper and lowercase vowels having a different distance to the main line to allow aesthetic placement.