Not just a tad thicker lines but additionally I have changed quite a few glyphs' edges and even shapes. But I've maintained the original width of letters (exeptions: l, m, t, r, w,  @) and numerals to allow using glyps of this clone as a kind of majuscule with Melusine.

At the end of October I decided to dive into the Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out the minimal size I could fontstruct it, then expanded and tweak it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin charachters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.

The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.

I liked the look of it so much I decided to create a whole family. Cableguynium 0 (which has no cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).

Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.

ANY CRITICISM, GOOD OR BAD IS WELCOMED.

Updated uppercase, lower case in progess.

Kerning worked on a bit.

Because I worked on the lowercase and deleted them, the preview thinks I still have them so the sample text doesn really work.

Upgraded version of Aenvidere (which is the original 'normal weight' version) made for one of my grandsons. The glyphs in this version have lines of different thicknesses which seems to make them and any text more interesting to look at, yet it continues to be elegant.

Numerals are taller than other glyphs, I wonder if a larger letter space might 'integrate' them more when used in a line of text?

Kerning has been done where necessary = on very few pairs: T+some LCs and F+some LCs but not yet on T and F with the corresponding diacritics; also done are TJ and LT. The "f" has been moved in the grid, and "f" and "l" have adjusted letter space. I think that the shape of the glyphs (with and without adjusting their positions/letter space) reduces greatly the need for kerning. Having said all that I'll print some text to check and will adjust kerning where necessary ---at a later date.

This is the most advanced version of Aenvidere (due to kerning), the other published versions will be kerned at a later date. I'm showing them nevertheless so that you can compare versions.

Thicker lines than Aenvidere AGardin. This is quite chunky. Yet it remains rather (good looking and) elegant. Kerning has to be done (check details of this in the font description on Aenvidere AGardin)

First year BA (Hons) Graphic Design at UWE. Typeface inspired by barbed wire on the theme 'dangerous'. Expanding on the idea of both restricting people from dangers and being dangerous itself. After playing with the shape of barbed wire I played with the compact shape of the barbs themselves.

WIP:

numbers missing

A light weight Bauhaus style font with a little handwriting twist. Most curves have a slight overshoot. A lot of characters are still missing due to design difficulties. I hope to add more soon.

The current month seems to hold a meaning of threads: of fog, dew covered spiders' webs, barely-there things, feint perceptions defying scientific understanding and fine links with ancestors, to keep us in the present and enable open minds and caring souls to better the future.                                This abstract interpretation of Halloween has been designed to echo the traditionally mysterious mood to show the past (known glyphs, earlier FS bricks) linked in the present (on paper, in the FS previews, and using some of Meek's newest bricks I experiment with in this design) to create future (text will carry meaning to the reader, diversity of thought not experienced until after every glyph is finished, and beauty of text flow is visible only after it has been written). Totally within my personal plan for Night Pegasus' work: adventurous, alternative, divergent, different, exploring, experimental, unusual --  after all, the flying horse is free to visit any time any item or existence in this universe and any place in Fontstruct, to discover and weigh possibilities, to create its future from the past in it's present body and mind, and it does this cloaked in black as deepest night, undiscovered unless someone has their feelers tuned into mystery and taps into experiences of presence.

:.:.:.: Information to help you when using this font :.:.:.:

If a LC glyph follows a UC glyph: you need to use the space bar 6X to get the correct letter space (it will then match the natural spacing between LC); using only LC glyphs (or only UC glyphs) will give satisfactory text results as letter space is set by the programming. But you'll need to manually add the word space you want: between UC (or LC) words a minimum of 3 space taps for a just visible gap, use the space bar 6x for good spacing. Experiment!

Note: the full stop and comma have a line on the baseline to link with UC. There might be no need for a 'space' after those two marks even on LC? The apostrophy has a short line to link it to previous/following UC glyphs (note those link lines retain the meaning of the glyph when used with LC glyphs or an LC following an UC glyph).

SPACE BAR = a 1px space; tap 3x to get a small word space that's obvious

% key = a set of reasonably wide lines to match upper case verticals

_underscore = a space consisting of a long single line on base line only

I'm trying to figure out some diacritics before the 31st so this remains WIP

This is the font for the game Starbound: https://starbounder.org All credit goes to the developers and owners of Starbound, this is mainly for hobby/personal use and not commercial use.

fontwerp.com

Streamline Deco typeface

Copyright (C) Vienna Binders (AskGamerViennaBinders). All Rights Reserved.

This font is created and edited by

Vienna Binders (AskGamerViennaBinders)

Use or duplication of the font is not permitted as Font Designer's decision is final.

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Description:

This font:

"Metropolis UI (Feminine)"

is recreated for the likes of Midnight Pool III Fans! If you are a fan of the legendary "Midnight Pool III" then you are welcome here!

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Comments are closed. I will do it accordingly if I have the time to update. Thank you for all the support!

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Copyright (C) Vienna Binders (AskGamerViennaBinders). All Rights Reserved.
This font is created and edited by
Vienna Binders (AskGamerViennaBinders)
Use or duplication of the font is not permitted as Font Designer's decision is final. 
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Description:
This font:

"Metropolis Sans Display"

is recreated for the likes of the fans of Sonic Mania Plus! If you are a fan of the legendary "Sonic Mania Plus" then you are welcome here!

Note:
If you have the old "Sonic Mania HUD Font" on your computer PLEASE REMOVE IT! That fucking user CelestOrion threatened to sue me for copyright issues! >:(
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Bear in mind (original):
I painstakingly took 6 months to create this as I thought this would be spectacular. But I never had the time to post it to SEGA due to college.

This font does look like certain fonts like Kimberley, and some other, but this font is a major overhaul of such fonts. Thus it does not conflict. 

This font is permanently licensed under the "All Rights Reserved" license.
You can view it, but you can't download it, as my decision is final. I will not entertain you, to whatever you say against this font.
And don't even think about flooding my email with spam as well. I'll be monitoring it 24/7. 

Copyright over fonts created with FontStruct belongs to the creators, not to FontStruct, or anyone else. So CelestOrion, If you're not happy about it, then why not send an email to FontStruct, citing that quote? 
Video link is here (Copy and paste onto the browser's search bar):
https://www.youtube.com/watch?v=iDSz4oeP2l4.

“Citing from Terms of Use: ‘The FontStructions that are created and/or made available on this Site are the copyrighted work, as the case may be, of the respective creator.’”

Do not request download access or license changes in the comments, as my decision is final.
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Comments are now closed. Any updates, I will do it accordingly if I have the time. Thank you for all the support!
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