Made using djnippa's All Composites Tool.
Feel free to add suggestions here.
This is a clone of All Composites saved in MY BRICKS 3.0the study of crop (or cropt) circles :) some of these appear in ornaments. when i did that one, i felt many of the designs reminded me of crop circles. so i added a few more :) i've done a couple of other crop circle fonts. but it kind of seems natural to make crop circles out of circles (dots), doesn't it? i have also tried to show the progression of similar designs by trying to keep/group them together, but there are some strays here and there :)
Complete Sheikah Alphabet from Zelda: Breath of the Wild.
Includes J, Q, Hyphen, Exclamation Mark, Digits, Vertical Line, Period and Question Mark.
Exact thickness, angles and spacing.
(The "Period" and "Question Mark" characters are never used in game and only appear in the game files. The "Vertical Line" character only appear in the "gyro" controls in "apparatus" shrines and is not otherwise listed in the file that list all other characters. It is not known if those characters should be considered cut/scrapped and if they are canon or not.)
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This font has been superseded by the following (it's identical but you can also change characters to their "pins" variant if you put them in "bold"):
sarinilli.deviantart.com/art/BotW-Sheikah-Font-669623758
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Updated March 5, 2017: The Hyrule Compendium in game shows that that was believed to be digits 1-5 (pins) is actually digits 0-4. Also, it shows that pins are actually in inverted colors.
Updated April 4, 2017: Added a dummy character so that a line spacing of 1.0 will not juxtapose glyphs vertically (a minimal white space will be kept).
Updated April 11, 2017: A datamining of the game reaveals that what was believed to be the "Space" and "Period" characters are actually the "Hyphen" and "Exclamation Mark". Also, the "Period" and "Question Mark" do exist in the game files but are never used in game. Source: spriters-resource.com/wii_u/thelegendofzeldabreathofthewild
Thanks to CalicoStonewolf on DeviantArt.com for providing that link!
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Initial Sources:
- james0x57.github.io/sheikah/ (They've got digit corners wrong. Digit 5 is missing and digit 0 is invalid. Digits are their "pin" variants instead of the actual symbols.)
- imgur.com/a/PnlGQ/ (For Q. Source unknown. They have errors in J, U, W, Y and hyphen.)
- neogaf.com/forum/showthread.php?p=207210063ost207210063 (Original decipherer.)
- gamnesia.com/journals/entry/the-legend-of-zelda-breath-of-the-wild-how-to-decrypt-hylian-runes (For J.)
This is an alternative version of Morse Code, where a high peak is a dash and a small peak is a dot. Includes numbers and some punctuation.
This is the first time I've ever created a font. Please let me know if you find any bugs.
This typeface converts your typing into musical notes. The idea is very simple and can create realistic looking sheet music. The font includes upper and lower case letters and numbers together with a treble-cleft with a time signature, a hash sign, dividing bars, an end bar and a double end bar.
Write your message on your word processor. You will need to use 48pt to have all the five staves showing up so keep your message short :)
Start each sentence with a treble-cleft which is the "&" key on your keyboard, it also adds a 4/4 time signature for authenticity. Upper case letters show as double notes, lower case and numbers as single notes. Numbers should be written with a comma "," between them eg:1,2,3 etc 10,11,12 etc 100,101,102. The comma inserts a short length of blank staves.
Now ...... comes the fun ! Count four notes and press the "!" key. This will place a barline vertically across the staves (the five horizontal lines on which the notes are written). Repeat this every 4 notes until you reach the end of the line then press the "." key. You must end with a full 4 note bar even if this leaves a space at the right margin. At the beginning of the next line press the "&" key to insert a new treble-cleft. Count 4 notes then the "!" key etc .... Repeat this process until you reach the end of your message, finish with a "."
Use this type face as a cipher to send secret messages which can be easily read by the recipient if they have this typeface on their computer. To anyone else this will appear to be sheet music.*° It can also be used to convert poems into a musical score, to rewrite the music of simple songs, word for word, or to compose original music. I am sure you will be able to find other uses also. Have fun ;)
*° Actually it won't appear as sheet music as I had hoped because the computer receiving the message will use its default font to print out the message if this font is not installed. That applies to all so called code fonts ... what a shame!
Based on the decorative identity squares that FontStruct members get when they join. My design is based on the elaborate squares of Lady Quadretti. I just had to replace the decorative bricks with the plain square which showed how much Quadretta relies on the variety of bricks to be interesting and different.
This is a clone of Lady QuadrettaDesigned for those members who want inspiration, it could guide them when they need ideas on which to base a font.
Use this like a font: close your eyes and type a 'word' with at least 7 letters.
If you can touch-type: forget it; you'll need to be quite unstructured in order to get a good variation of letters every time you want inspiration ;) If you want some uncertainty -bad spelling will be very helpful here;)- you could write the 'name' of the minute when you decided to get inspiration for a new font , inUpperCase ... then follow this with one of your names in LowerCase. But for fun and better chance at not getting the same word every time you need inspiration I suggest you just hit different keys and then look at the line of glyphs ;)
Just remember: use UpperCase to write the first part of this word, the LowerCase to write the other part of the word. Look at the [second or] fourth and the [penultimate or] third before last letter of your 'word'.
The UC will give you an 'image'. Your font will transmit the meaning illustrated by this letter (in the widest sense).
The LC gives the type of look your font should have. You now have 2 guides/ideas/starting points which influence the kind of font you make.
Remember that the UC should make you look at concepts, invisible messages and your own experience or lack of 'ken', as well as the visible things in the images I drew.
To express that differently:
Your font design is guided by a main theme (based on the UC) and a way to present it/a style of expression (based on the LC).The font will be influenced a little or a lot by each UC 'image'; you adjust the look of your font according to the "feeling"/a memory/a dream or wish/an experience/lack of familiarity that you have about what that which my playful pixel illustration represents.
The presentation of the font, the style, how the eye slides across to absorb information or spends time to investigate the beauty or quality of every glyph, is determined by the LC. Combine these two aspects from UC and LC, that"s what your font will convey through the shapes of th glyphs.
In my 'comment' below I give you a few ideas of what could be linked to each of the UC letters; it's up to your areas of study, experience, interest, and the time you want to use for designing and building your fonts, which -if any- of the proposed words and concepts I mention will be the one(s) you want to combine with the type of presentation you found in the LC letter.
Choose a good name for your font, it's probably a good idea to have a name that isn't the keyword I gave in the UC list -- I can imagine that those key words have long been taken by font designers for their fonts.
Note: the "INSPIRED FONT" is still in development; when I have more illustrations for objects, situations, feelings etc or styles of presentation (I am open to suggestions!) I will try to find a suitable design to add to the glyphs as there are still a few empty slots in the Basic Latin set ;)
..:*:.. Have fun ..:*:..
A collection of circles (and ovals), inspired by the circles I saw in p2pnut's composites tool ... several of these circles I found ready-made in other fonts (I apologise,I didn't note down the designer's name so I can't give credits --- I'll try to backtrack though as I don't blindly copy things and hand out as my own work. Most of these circles I made with the bricks available in the fontstructor, for some I made the composites, some I assembled using shapes and composites made by others.
Thank you to everybody who enabled cloneability of their fonts so that I could see in detail how you made those tricky/exciting curves (to either recreate them and the composites under my own steam or to import into this tool kit).
This is a work in progress as I discover more curves made by members; with the new FontStructor we all will have more circular excitement coming...
Solace in Geometry.
This is a clone of Voxelstorm Nano 02I have made a font with International Maritime Signal Flags before, but this time they are coloured correctly (in grey scale). White is blank ( ), yellow is little dots (::), red is 33% diagonals (\\), blue is 50% diagonals (//), black is filled. Lower case letters are the patterns with no colouring, for those who want to colour in the fields themselves.
I have now added numbers. The regular numerals (0-9) are the square NATO flags, and the subscript numerals (₀₋₉) are the templates of the NATO number flags. The roman numerals (I-X, X representing 0) are the longer ICS flags, and the lower case roman numerals (i-x) are the uncoloured ICS flags.
On top of that there are four substitute flags, which can be found in the superscript numbers (¹⁻⁴) and the fifth fractions (⅕-⅘).