Capital vowels: Vowels
Capital consonants (No c, j, q; x is th): Consonant marks for vowels
": Connecting Consonant Carrier™
': Isolated Consonant Carrier
Lowercase consonants: Consonant marks for consonant carriers.
The consonant sound is made before the vowel, but typed after.
My alternative font is here!
This is a clone of FVDisco FontHere is the font for my first rendition of Altrimaya. One might notice many of these letters differ greatly from my revised and refined Altrimaya alphabet I also have featured here. I figured I should publish this one as well to let users decide which version they prefer. Hope you enjoy!
Please note however that I will likely only make fonts from my Revised Altrimaya alphabet, not this one. Regardless if the title of these other fonts includes "revised" or not, unless specifically stated that it originates from this alphabet it will always originate from Altrimaya (Revised).
Heres an alphabet I created mostly from inspiration from the Atemayar (A, D, E, F, G, I, K, S, T, V, W) and Georgian-Nuskhuri (C, H, R, U) alphabets.
This alphabet is developed specifically for use with Kynaatt (link can be found in comments). Unlike my Atemayar Extended font, this font only covers these following letters and currency symbols:
For English: ABCDEFGHIJKLMNOPQRSTUVWXYZ$
For Kynaatt: AÅÃÂBČDĎÐEĚFGĞHIJKLŁMNŇOØÕPRŘSŠTUÛVXYÝZŽ₮
(Please note this is an outdated version of the Kynaatt Alphabet)
Here is my Serif version of my Altrimaya alphabet. This alphabet is developed specifically for use with English and Kynaat (link can be found in comments). Unlike my Atemayar Extended font, this font only covers these following letters and currency symbols:
For English: ABCDEFGHIJKLMNOPQRSTUVWXYZ$
For Kynaat: AÅÃÂBČDĎÐEĚFGĞHIJKLŁMNŇOØÕPRŘSŠTUÛVXYÝZŽ₮
This is a clone of Altrimaya (Revised)A typeface inspired by American typefaces from the 1800s and the Art Deco-styled coffee shop I visit often in Des Moines, Iowa.
Combining a slab-serif, expanded typeface with ornate detailing brought challenging consideration to the legibility of the font. It’s used best for short, bold messages or an energetic initial cap.