Twin brother of zeronda, with more spectacular and rare large serifs. This font is a pretty little thief to me: with its big serifs it stolen my hart. It was love at first sight, as soon as I started I couldn't stop adding them to the glyphs. Only caps/unicase, also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. Kern in progress. Enjoy.
This is a clone of zeronda eYe/FSRecreation of the fantastic font Startime, from the compilation "Circus Alphabets" (1989) by the great Dan X. Solo. I've modified some glyphs (C, G, J, K, V, W, X, &, 3, 5, 6, 7, 8, 9, ?, !, *, (, ), $, €, £, ¥, etc...) and added a lot of them, including accents and other diacritics. Some alternates were also included in the lowercase area. A personal hommage to a font from my youth, which I felt encouraged to finish after admiring the magistral and excellent work of Frodo7 Abruzzo DS.
It's silly (but I couldn't get it out of my head): This is the font inside zignbox. Absolute negative space use. Unicase with alternates, of course. But it works well!.
This is a clone of zignbox eYe/FSBased on the font 'Kettler' (Eric Olson, 2002), which in turn is a tribute to the great 'Courier' (1955) by Howard "Bud" Kettler. As often happens to me, this recreation was born from the attempt to improve some characteristics of the original glyphs that I considered appropiated, in addition to being able to have a personal modern typewriter font. The monospace of this kind of letters has been a bit relaxed on this occasion. PS: Thanks for the helpful hand from @Sed4tives!
This is a cloneSimple scrape optical experiment with eroded characters. You can find a lowercase "c" in the "¢" glyph and "ff" and "tt" ligatures placed in the "fi", "ff" and "fl", if you need any of them. Suggestions to improve the font are welcome. Hope you like them.
This is a cloneMy little personal and humble tribute to our Astonishing FontStruct on its 16th birthday, full of admiration and respect for the Great Creator & Big Chief Rob Meek and all fontstructors, big and small, who used it during these amazing years! LONG LIVE FONTSTRUCT!!!
The NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.