This font draft was created with the theme of massive, I wanted to create something that looked physically imposing and noticeable. To create the structure, I looked at buildings and cityscapes around the busiest parts of Bristol City and wanted to play with perspective as if the viewer was standing beneath a building and looking up at it, I ended up making a font that reflected the uniformity and scale of buildings.
This is a cloneTo see the making of:
https://rumeautype2.weebly.com/project-i.html
Belmont Standard:
https://fontstruct.com/fontstructions/show/1502319/quigley-standard-1
Belmont Bold:
https://fontstruct.com/fontstructions/show/1502320/quigley-bold-2-1
This is a cloneZakhrafa is a type of Islamic art which consists of embellished geometric designs. It is often used to complement Arabic calligraphy on architecture to bookcovers and various media. The inspiration of this font comes from the various Islamic patterns that can be seen on buildings all across Qatar. After living there for 8 years, I learned a lot about the Islamic culture which is what I want the font to reflect.
This is a cloneWords are often read by looking at the shape and not spelling, what I have attempted to do with this typeface is to make the reader focus more on the letters within the words.
As the name suggests, Balky can be awkward to read due to some of the letters looking similar, as well as its chunky build, making people have to use the context of the sentence. I hope this will make an impact on how well people engage with some text as well as being aesthetically interesting.
This is a cloneFORWARD- I wanted to create a font in which felt like it had movement. I also wanted it to relate to codeing and glitching, so it had a technical feel. This font connects together, even when re-arranged. This was put in place to lead the viewer through the text so that they felt they were being lead into a digital world. I wanted This Font to be Energetic and hectic, and i feel like ive done this with the use of smaller pixels breaking up the thicker and more readable lettering.
This is a cloneThis is a font based on the "AIQ BKR" cipher, one of several invented by Heinrich Cornelius Agrippa in his writings on the occult (specifically the Kaballah). This was originally a box cipher for Hebrew letters, based on the numerical value of certain letters.
This is not a true AIQ BKR. I have added missing English letters ('e' is just so useful!) and a disambiguous set of digits 0-9.