180554
Published: 23rd March, 2014
Last edited: 23rd March, 2014
Created: 23rd March, 2014
A typeface influenced by the work of Yee Poon and Ruslan Khasanov. Designed to have a wet appearance with various levels of liquid dripping below its baseline, 'Come on in, the Water's Lovely' features counters interrupted by droplets, rounded crotches and melted serifs.
5511683
Published: 4th November, 2013
Last edited: 3rd December, 2013
Created: 1st November, 2013
A punk in a suit: the initial inspiration for this font came from the theme 'loud'. My thought process was that actions speak louder than words, and the Punk movement in the ‘70s helped people through a lot of social and economic unrest; punk communicates effectively. Consequently, I approached creating a typeface with the DIY mentality of punk. I observed the approach of Jamie Reid, the zine culture and various band posters to identify with the distinctive cut and paste style. I then considered how this could be used to communicate with more than one audience at once while retaining the punk aesthetic. This led me to create a typeface which is conflicted between serif and sans-serif; it features jerky counters contrasting with chipped bowls; it’s a font designed to appear cut up and pasted back together in line with the traditional ethics of DIY punk. "Fonts are the clothes that words wear" - Tobias Frere-JonesThis is a clone