A swarthy and stout decorative script of humble origins. Gaze fixed on the far horizon, he readies himself to cast fortune on the seven seas. Every pirate has their beginnings somewhere...
Info:
Created on 27th May 2013. Last edited on 27th July 2013.
Thanks guys. I had fun experimenting with fin bricks, a small grid, low-res textural effects via composite stacks, and this quirky fusion geometric script. It’s rather formative, a lot of uncharted territory here. But I don’t know how far I’ll take it, honestly. You’re being too generous to call it a winner at this point. Unless I flesh it out with some strong and stalwart caps, numbers, &c. let’s just call it a fun entry that can get away with a bit of flamboyant swagger. ;~)
p.s. Umbreon126, I took heed of your perceptive feedback on the x and tightened it up for a better result. Thanks!
Shiver me timbers, this is the stuff of treasure maps! It is as if waves are rolling through the text, with little slits subtly mirroring the connectors of subsequent letters. All that's missing is a jolly roger dingbat...
Fin bricks are awesome, aren't they? Even though I've been experimenting with them for a while now, there are lots of possibilities still to discover. Solid entry with pro execution.
nice entry and very nice work, once again. your work is very sublime. easy on the eyes, but i never underestimate the effort it takes to make it look so. this one has surprises large and small. good luck.
I updated my sample with improved e, f, k, x, z, and an opened-up w. I feel particularly pleased with the revised x. It taught me new approaches to the composition/stroke order for this historical form while challenging me with fancy brickwork to strike a better balance of color and structure.
@architaraz: Thanks, my friend. I agree; fin bricks are full of surprises! I have an affinity for your manyinnovativeapproachestothem (I could listmore!).
@p2pnut: I’m glad you enjoyed exploring this from different perspectives. I’m intrigued by how the brush details adapt to different resolutions.
@cablecomputer: Cheers! I want to take this opportunity to praise your Yamko Rambe Yamko. Top-shelf work in my book.
@funk_king: Thank you for your kind compliments. As they say, gods in the details. Or is it devils in the details? After so many hours staring at the fontstructor, one can’t be entirely sure! ;)
Just a beauty! 10/10.
BTW, "Alhambra" means "The Red (fortress)" in old arab language. Also, it's the name of one of the arab monuments more marvelous in the world, near to me, in Granada (Spain).
@elmo: Thank you for teaching us. You are very very lucky, my friend, to live near such stunning and historical monuments as Calat Alhambra! I wish to visit there and soak it all in. Pure, visually arresting architectural arabesques.
Did you know the impeccable tile work served as a major inspiration for the mathematics and artwork of M.C. Escher? My sample above plays with some of these tessellating forms found there. Looks like they already had fin bricks all the way back when. ;)
I named this fontstruction after Calat Alhambra from early on while pursuing a much more Arabic flavored script. The style began to blend with blackletter motifs and then took on a fat, round brush texture. The “pirate” theme emerged. Actually, that all sounds pretty Moorish to me.
The cross-cultural shorelines and artistic achievements of Andalusia dwarf mine a million fold...I just couldn’t resist a beautiful name and an epic reference. :)
18 Comments
Both z's are genius. The x may be a bit overdecorated though.
p.s. Umbreon126, I took heed of your perceptive feedback on the x and tightened it up for a better result. Thanks!
I’ve enabled cloning because some treasures are best not to be hoarded.
@architaraz: Thanks, my friend. I agree; fin bricks are full of surprises! I have an affinity for your many innovative approaches to them (I could list more!).
@p2pnut: I’m glad you enjoyed exploring this from different perspectives. I’m intrigued by how the brush details adapt to different resolutions.
@cablecomputer: Cheers! I want to take this opportunity to praise your Yamko Rambe Yamko. Top-shelf work in my book.
@funk_king: Thank you for your kind compliments. As they say, gods in the details. Or is it devils in the details? After so many hours staring at the fontstructor, one can’t be entirely sure! ;)
BTW, "Alhambra" means "The Red (fortress)" in old arab language. Also, it's the name of one of the arab monuments more marvelous in the world, near to me, in Granada (Spain).
Did you know the impeccable tile work served as a major inspiration for the mathematics and artwork of M.C. Escher? My sample above plays with some of these tessellating forms found there. Looks like they already had fin bricks all the way back when. ;)
I named this fontstruction after Calat Alhambra from early on while pursuing a much more Arabic flavored script. The style began to blend with blackletter motifs and then took on a fat, round brush texture. The “pirate” theme emerged. Actually, that all sounds pretty Moorish to me.
The cross-cultural shorelines and artistic achievements of Andalusia dwarf mine a million fold...I just couldn’t resist a beautiful name and an epic reference. :)
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