Wonderfully done!

I was testing my font and noticed the spacebar doesn't look good. Gotta fix it.

You're too late for the Color Competition.

A M A Z I N G

I really like this!

The basic Latin set is complete. The screenshot is to record the current state. I continue to refine the shapes and "curves". 

Next phase:

Happy belated birthday, FS and congrats on this pretty small-countered heavy slab serif, @elmoyenique!

When I squint my eyes and look at the screen, I'm impressed by the fact that with very few angles, you have managed to approximate the curves.

A very refined faceted typeface style. As a result you have created a beautiful font. I quite like the shapes of each glyph. They conform to your creative logic

One of the problems we mentioned is that there's nothing "new" being created anymore. The book has a similar issue that is brought up—but instead of a typeface, it is a song.

Okay, my image of the book, Making Music–74 Creative Strategies for Electronic Music Producers by Dennis DeSantis, isn't sending, but I think I can

Sample didn't work the first time; trying again.

It comes from a seemingly unrelated book.

However, it's little use lamenting without actually doing anything; I do have one suggestion—but it's something we'll need to bring our boss into.

Having joined this project later in the game, I can't really say anything about fontstruct's culture on a wide timescale. however, after coming back

@caterpillar's.kimono: I'm new here, great font btw.  I'd ignore the negativity, nothing about that font is underwhelming.  I don't think everyone manages to grasp the finer points that exemplify a good critique.

@Goatmeal: Thank you for taking the time to share your views on this matter. Your observations are clear; all five points are valid. I miss the good

COOL

Lockstep Title Card Recreation.

@Frodo7 - Don't mind me...  I'm just an old man yelling at clouds.  ;^)

@Frodo7 - Sadly, my friend, I've been wondering the same as of late...

1. An awful lot of cloning where there is either (a.) no change or (b.) only a couple of new glyphs added, which is hardly worth publishing and better

This will be expanded to include material required to create the icons of the new tasks

@elmoyenique: My lowercase o is way bigger. Its design is airtight: one brick overshoots at the top and bottom, no wobbly bricks or misaligned corners. The axis

@elmoyenique: Thank you for your comments and helpful contributions. I always valued your opinion and considered it seriously. Type design is a subjective matter;

(I didn't want to deal with FS comments today. We had parliamentary elections yesterday, and the ruling party has been defeated. The whole political system may change,

I tried this decagonal polygon, which smooths the curves a bit. I don't know if it will be of any use to you, Maestro.

Rules are made to be broken.

The diagonal way wobbleness.

18????? wow this is my year

cool*

this very coo.

this is a example of if creativity was a person

I don't know how to put it, but I'm not entirely convinced by the letters with large curves here (C, D, G, O, c, e, p, q...). I can understand that this might be the defining characteristic of the font, but it just doesn't quite work for me. I tried a similar

i just made my first font in fontforge with full latin

cʊl

Text sample before kerning.