Gob Pixi is an amalgamation of different experiments with colour, display type and visual effects throughout the years of working with a comfortable, personal design palette.

Having been obsessed with grain textures and primary + secondary colours throughout the start of 2020s, I was moved to translate that into typography after seeing Kilotype's Lofi Forest "fizzy-fying" an otherwise sharp-looking Roman/Serif.

Also, I have worked on a type project that got me to layer different coloured shadows and highlights above each other, so this is my attempt at translating that effect onto another typeface that I've shelved for quite a while now. (I happened to come up with something similar to Get Yourself Connected by chance and didn't know what to make do with it.)

An evil-looking condensed display serif that I just happened to stop progressing it after a while. Guess I wasn't feeling it anymore.

Based on Motter Ombra. The capitals was a block in the road when I was working on this. It's also quite illegible. 

Cardamom was the starting point for the gradual discovery of what later became my latest released typeface MX Capsaicin that I introduced back in September last year. It was based on Macabre by Dave Coleman. I didn't complete the Basic Latin glyphset.

Mipo was the precursor for what evolved into the later MX Wasgard typeface that was released back in November 2016. That's why the S and Z looks the same is Wasgard's. It evokes visuals of mosaic designs found on window panes, or that's how I feel.

Fingernail was an attempt to create a reverse-contrast typeface in FontStruct. It's in recognition of the fun typefaces of this genre that type foundries have been releasing in recent years, such as Boogie School Sans, Ribes Black, and Opposit.

Fridz was going to be a bold sharp serif font, think after I was obsessed with GZA by Philipp Herrmann. But it got tiring after one too many challenges on getting the forms well. (See also Bagnard by Sebastien Sanfilippo)