Uppercase B:
The mid-section intersect is slightly too bulky in the top bowl where both strokes meet. This needs a slight optical refinement to reduce the stroke weight a tiny bit.
Uppercase ODC (as well as all other identical 1,5 round letter parts, like for example in 6 and 9):
The outside curvature of these contours are somewhat wobbly and could use some refinement.
Uppercase M:
Diagonal-to-round brick transitions could also be refined a little bit further in my opinion
Uppercase N:
A similar "diagonal-to-round brick transition" issue here, but even worse than M. The Quarter-Circle brick used to make the inner-transition was squeezed into more of an elliptical shape. Whereas it should've been left more circular shaped, to better mimic the outer-transitions that go into the verticals. Also I think the (diagonal) stroke is a tad bit underweight.
Uppercase S and $:
The uppercase letter S looks very awkward the way you designed it.
The letter tilts backward like the Tower of Pisa. Typically it should ever so slightly lean forward instead.
Your S is pretty much symmetrical along its tilted axis, whereas a proper balanced S usually is slight wider in the bottom and somewhat tapered towards the top. With a slight thicker stroke for the spine.
Lowercase a:
The transition from the top right Half-Arc brick into the diagonal has a slight bulge that makes it look fairly disrupted. I'm sure some additional nudging or another modified / resized round brick could fix this.
Lowercase q:
The same issue as with lowercase letter a, but here the bulge is located in the descender part of the stem.
Lowercase s:
Two corners of the horizontal mid-section brick(s) overshoot the Half-Arc brick's outer contour, creating a jagged disruption.
2:
The concave portion of the top right curve isn't very accurately curved nor smooth.
6 and 9:
Both letters have the same exact little issue. Which is the thick joints between stem and bowl where both strokes intersect. These need a slight optical refinement to reduce the stroke weight a tiny bit.
Comma:
The diagonal-to-round brick transition has a slight interruption.
Asterisk:
The vertical stroke is somewhat thin in comparison. It should be roughly the same weight as the other strokes.
At sign:
Located at the exact same spot as the bulge in the default lowercase letter a's top right section there is a flawed brick alignment.
8 Comments
Kerning: 208 pairs
please give this a tp
Uppercase B:
The mid-section intersect is slightly too bulky in the top bowl where both strokes meet. This needs a slight optical refinement to reduce the stroke weight a tiny bit.
Uppercase ODC (as well as all other identical 1,5 round letter parts, like for example in 6 and 9):
The outside curvature of these contours are somewhat wobbly and could use some refinement.
Uppercase M:
Diagonal-to-round brick transitions could also be refined a little bit further in my opinion
Uppercase N:
A similar "diagonal-to-round brick transition" issue here, but even worse than M. The Quarter-Circle brick used to make the inner-transition was squeezed into more of an elliptical shape. Whereas it should've been left more circular shaped, to better mimic the outer-transitions that go into the verticals. Also I think the (diagonal) stroke is a tad bit underweight.
Uppercase S and $:
The uppercase letter S looks very awkward the way you designed it.
The letter tilts backward like the Tower of Pisa. Typically it should ever so slightly lean forward instead.
Your S is pretty much symmetrical along its tilted axis, whereas a proper balanced S usually is slight wider in the bottom and somewhat tapered towards the top. With a slight thicker stroke for the spine.
Lowercase a:
The transition from the top right Half-Arc brick into the diagonal has a slight bulge that makes it look fairly disrupted. I'm sure some additional nudging or another modified / resized round brick could fix this.
Lowercase q:
The same issue as with lowercase letter a, but here the bulge is located in the descender part of the stem.
Lowercase s:
Two corners of the horizontal mid-section brick(s) overshoot the Half-Arc brick's outer contour, creating a jagged disruption.
2:
The concave portion of the top right curve isn't very accurately curved nor smooth.
6 and 9:
Both letters have the same exact little issue. Which is the thick joints between stem and bowl where both strokes intersect. These need a slight optical refinement to reduce the stroke weight a tiny bit.
Comma:
The diagonal-to-round brick transition has a slight interruption.
Asterisk:
The vertical stroke is somewhat thin in comparison. It should be roughly the same weight as the other strokes.
At sign:
Located at the exact same spot as the bulge in the default lowercase letter a's top right section there is a flawed brick alignment.
how was the zero made?
I saw you making this on YouTube!!!!!!!!!!
the Ø and Q diagonal strokes look the same, I love this consistency with different letters
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