Alternate Ligatures: (worth copying)
¬ = ct
` = st
~ = f (s)
^ = ft (st)
# = fh (sh)
AE, ae, fi, fl, f (s) and the long s are in their places within the More and Extended Latin sets (thanks to riccard0 for his advice on the last two).
Info:
Created on 8th February 2010. Last edited on 16th February 2010.
The 'wear and tear' on this font is designed to represent the pitting that occured, through exposure to the sea air, when Caslon's early fonts were sent to America.
This resulted in the somewhat patchy appearance of many early American documents.
the distressed/weathered look you have achieved is quite random and very unique, and an amazing technical milestone. while interesting at smaller sizes, its true beauty really shines when viewed larger. and your patience is on display as this looks like a rather painstaking process and at a 1:1 filter setting and a somewhat large grid size. this work can truly be compared to the craftsmanship of what typography entailed before the digital age. kudos.
Seamless, just seamless.
I thought that your typewriter old was awesome, but _this_, this is AWESOME.
I didn't think that a font could get this perfect. Seriously.
14 Comments
This resulted in the somewhat patchy appearance of many early American documents.
I thought that your typewriter old was awesome, but _this_, this is AWESOME.
I didn't think that a font could get this perfect. Seriously.
@igorrossi: Ithink it took 3 or 4 days (on and off) to distress it.
LOVE vintage fonts, bravo
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