The negative stroke on the ascenders in the capitals works extremely well in conveying a coherent theme throughout the uppercase letter while still remaining legible. While functional, the lower case letters are not as exciting. I find in letters such as the x and k and r that the "staircase" effect breaks with the mold you have created and it is slightly jarring.
Fantastically done. With such low resolution, this font is still able to capture the elements that make classy typefaces classy. The negative cross-bar pole (I have no idea what it is named) that occupies the left of the uppercase letters is uniformly represented. The lowercase letters share the same uniformity in style and gesture of stroke and cubistic solid weight. Readable and fancy. Well done!
The most uniform of all the fonts. This literally looks professional due to the Capitals negative space. The lower case letters are so much different than the caps yet work with the capitals so effortlessly.
its an interesting slab serif,but the lower case x doesn't seem to fit in with the other lower case letters, and upper case Z looks too much like the 2.
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