I love this. Totally inventive new use of composites, composite stacking and advanced filters. There are some weight issues (no surprise for such a radically small grid :), and then there are some stand out characters like your very smart r. How about giving stroke contrast to v and x (perhaps capital A, as well)?
@Will, thank you very much
yes you point it very well... with a small gris sometime you're f*** between desing itself of the glyph, the kerning and the his size weight comparing to rest of the alphabet... sometime I wish to change it as simple as vector software can do ;) Just like my diatrics "grave" and "acute" I was unable to put it more in the midel
I don't have the feeling of creating new use of composite I always have the feeling that everything is already created ...can you tell what you found unusual in this font? :) please
you're right about stroke contrast i'll do it later
Good job! Don't worry, the freshness dwells within you, and it's refreshing to see these letters. The mismatch with the accents you fix it, you'll see, mon ami. It looks like a classic font. You can try (if you want) make the LC a little bit higher (¿1 square, maybe?).
What a nice surprise thank ROB for the TP very appreciate. I put a lot of energy on this one. I know it took more than energy for a pink honnor, but all this to say thank again
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@Will, thank you very much
yes you point it very well... with a small gris sometime you're f*** between desing itself of the glyph, the kerning and the his size weight comparing to rest of the alphabet... sometime I wish to change it as simple as vector software can do ;) Just like my diatrics "grave" and "acute" I was unable to put it more in the midel
I don't have the feeling of creating new use of composite I always have the feeling that everything is already created ...can you tell what you found unusual in this font? :) please
you're right about stroke contrast i'll do it later
@Elmo Gratias :)
I don't understand what you mean by LC ?
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